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| Samantabhadra: Iconographical Transformations and Ritual Identities | ||
| 作者 | Ho, Chiew-Hui |
|---|---|
| 出處題名 | International Journal of Buddhist Thought & Culture=국제불교문화사상사학회 |
| 卷期 | v.28 n.2 |
| 出版日期 | 2018.12 |
| 頁次 | 147 - 176 |
| 出版者 | International Association for Buddhist Thought and Culture |
| 出版者網址 | http://iabtc.org/ |
| 出版地 | Seoul, Korea [首爾, 韓國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Samantabhadra; Ritual; Buddhist Iconography; Fugen; Puxian |
| 摘要 | Together with Mañjuśrī, Samantabhadra is often depicted as flanking Śākyamuni Buddha in Mahāyāna Buddhism. As one of the four great bodhisattvas in the East Asian Buddhist tradition, Samantabhadra pales in comparison to the other three bodhisattvas— Avalokiteśvara, Mañjuśrī, and Kṣitigarbha— in the amount of scholarly treatment he received. Often identified by his mount, a sixtusked white elephant, little else is known about his rise to eminence and his later esoteric manifestations and identities. Addressing the paucity of scholarly work on Samantabhadra, this paper explores his origin, appearance in China and Japan, and subsequent iconographical transformations. Contrary to common understanding, Samantabhadra’s mount is not an important identifier of the bodhisattva in the esoteric Buddhist tradition, where he takes on different identities and iconographical forms according to his place in the maṇḍalas. Informed by Indo-Chinese precedents, the iconography of the bodhisattva continues to evolve in relation to different ritual methods in Japanese Buddhism. |
| 目次 | Abstract Introduction 149 Origin of Bodhisattva Samantabhadra 149 The Bodhisattva Samantabhadra in China 152 The Bodhisattva Samantabhadra in Japan 154 Samantabhadra in Esoteric Buddhism 156 Esoteric Iconographical Representations 162 Conclusion 166 References 173 |
| ISSN | 15987914 (P) |
| DOI | 10.16893/IJBTC.2018.12.28.2.147 |
| 點閱次數 | 318 |
| 建檔日期 | 2021.03.12 |
| 更新日期 | 2021.03.12 |
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