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| Adapting the Dharma: Buddhism and Contemporary Theatre Training | ||
| 作者 | Middleton, Deborah ; Plá, Daniel |
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| 出處題名 | Journal of Global Buddhism |
| 卷期 | v.19 Special Focus: Buddhists and the Making of Modern Chinese Societies |
| 出版日期 | 2018 |
| 頁次 | 113 - 125 |
| 出版者 | Journal of Global Buddhism |
| 出版者網址 | https://www.unilu.ch/en/faculties/faculty-of-humanities-and-social-sciences/institutes-departements-and-research-centres/department-for-the-study-of-religions/ |
| 出版地 | Lucerne, Switzerland |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Authors affiliation: University of Huddersfield; Universidade Federal de Santa Maria |
| 關鍵詞 | Vajrayana; meditation-in-movement; cultivation; theatre |
| 摘要 | In this paper, we explore two examples of Western theatre practice which draw directly on Buddhist monastic dance. Examining Chogyam Trungpa Rinpoche’s Mudra Space Awareness alongside Mexican theatre director Nicolás Núñez’s Citlalmina allows us to consider the ways in which aspects of Buddhism might be conveyed within performative form, and to consider these practices as translations from Vajrayana Buddhism. This discussion opens into a consideration of the ways in which Buddhism and theatre might be seen to be mutually enriching, and to share certain common potentials as vehicles for cultivation. |
| 目次 | MUDRA SPACE AWARENESS 113 Introduction 113 Background 114 Synchronizing Mind and Body 114 Space Awareness 117 CITLALMINA 118 Introduction 118 Background 119 Meditation-in-Movement 120 Deconditioning of Perception 120 CULTIVATION 121 Translating the Dharma 123 References 124 |
| ISSN | 15276457 (E) |
| DOI | http://dx.doi.org/10.5281/zenodo.1683670 |
| 點閱次數 | 204 |
| 建檔日期 | 2021.03.07 |
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