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| 莫高窟第285窟南壁故事畫扇狀持物圖像辨析 - 兼論佛教漢化進程中視覺圖像的明晰與含混=Analysis of the Image of a Fan in the Narrative Painting on the South Wall of Mogao Cave 285 - Plus a Discussion on the Images Produced during the Sinicization of Buddhism | ||
| 作者 | 馬莉 (著)=Ma, Li (au.) |
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| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.5 (總號=n.183) |
| 出版日期 | 2020 |
| 頁次 | 53 - 62 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：西北師範大學美術學院 |
| 關鍵詞 | 第285窟=Mogao cave 285; 扇狀持物=fan-like objects; 比翼扇=biyi fan; 明晰=clarity; 含混=ambiguity |
| 摘要 | 第285窟南壁故事畫中有兩處人物手持扇狀物,學者們多認為是麈尾。文章從文獻中的記載及留存圖像的辨析入手,結合顧愷之《洛神賦圖》,得出第285窟主室南壁故事畫扇狀持物圖像為比翼扇的結論。並結合第285窟多元化的特徵,進一步說明在佛教漢化進程中,視覺圖像有著明晰與含混並存的特點,進而闡釋這種含混體現出的視覺圖像上形制與內涵、形式與功能相分離的原因。 In the narrative painting on the south wall in Mogao Cave 285 there are two figures holding fanlike objects that are believed by scholars to be zhuwei, a kind of fly whisk. This analysis combines historical records, similar images from other caves, and the classical painting Nymph of the Luo River by Gu Kaizhi to reach the conclusion that the fan-like object depicted on the south wall of the main chamber in Mogao Cave 285 is a"biyi fan." A further analysis from the perspective of iconology reveals that the form and symbolismof these fanshaped objects changed drastically as Buddhist religion and culture was gradually Sinicized, during which process the biyi fans took on the symbolic characteristics of both clarity and ambiguity. This confused state of object and symbolic meaning elucidates the reason why the " ambiguity" that characterizes the cultural products of this historical period created a separation between form and its corresponding function and connotation. |
| 目次 | 一 第285窟南壁故事畫扇狀持物圖像 54 二 扇狀持物圖像辨析 54 （一）文獻及圖像資料中的麈尾 55 （二）與第285窟扇狀物形制相似的圖像遺存及名稱辨析 56 （三）第285窟主室南壁故事畫扇狀持物應為比翼扇 60 三 佛教漢化進程中視覺圖像的明晰與含混 60 |
| ISSN | 10004106 (P) |
| 點閱次數 | 302 |
| 建檔日期 | 2020.11.13 |
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