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| 「反彈琵琶」：敦煌壁畫舞姿藝術形象來源考=The Origin of the Image “Playing the Pipa behind One’s Back” in Dunhuang Murals | ||
| 作者 | 葛承雍 (著)=Ge, Cheng-yong (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.179) |
| 出版日期 | 2020 |
| 頁次 | 9 - 15 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：陜西師範大學人文社會科學高等研究院 |
| 關鍵詞 | 敦煌壁畫=Dunhuang murals; 反彈琵琶=playing the pipa behind one’s back; 石槨線畫=engravings on stone coffins; 胡人造型=non-Chinese figure; 吐蕃銀壺=Tibetan silver pot |
| 摘要 | 敦煌壁畫中的"反彈琵琶"被譽為中國唐代舞蹈文化中最著名的絕技藝術形象,長期享譽海內外,但反彈琵琶最早出現時間和藝術源流一直沒有明確答案。本文依據近年出土的長安唐貞順皇后墓石槨線刻畫,指出"反彈琵琶"最早來源為開元二十五年(737)男性胡人的藝術造型,其從男性舞者轉變為女性舞伎的過程,正是從長安皇家藝術吸納異域外來文化中開啟,傳播至敦煌藝術工匠創作之中的。本文采用長安刻畫、吐蕃銀壺、敦煌壁畫三處"反彈琵琶"藝術形象的互參互比,證明來自異域的繪畫粉本是敦煌這一獨特造型的傳播來源,初步釋讀了這一長期未解的藝術主題。 The image of "playing the pipa behind one’s back" in Dunhuang murals is one of the most famous artistic images in the dance culture of the Tang dynasty in China. It is well-known both in China and overseas due to modern musical performances and dance dramas such as The Silk Road that often highlight the technique as the finale of a performance. However, the date of this image’s first appearance and its artistic lineage has remained difficult to determine. Based on the line engravings on the outer stone coffin of the tomb of Empress Zhenshun(also known as Imperial Concubine Wu) recently discovered in Chang’an, this article observes that the earliest source of this image was the artistic image of a male Hu(non-Chinese) person dating to the 25 th year of the Kaiyuan era in the Tang dynasty. The transition from a male to a female dancer started from the imperial art of Chang’an where exotic cultures were often absorbed before being spread to other regions and artistic communities throughout China. This paper compares the images from Chang’an engravings, Tibetan silver ware, and Dunhuang murals and concludes that image of a foreign performer playing the pipa behind his back served as the model for this unique artistic theme in Dunhuang murals, thus clarifying the historical development of this long-unexplained artistic motif. |
| 目次 | 一 唐長安貞順皇后（武惠妃）石槨的“反彈琵琶” 10 二 拉薩大昭寺吐蕃銀壺上的“反彈琵琶” 12 三 敦煌莫高窟中唐壁畫的“反彈 13 |
| ISSN | 10004106 (P) |
| 點閱次數 | 611 |
| 建檔日期 | 2020.11.09 |
| 更新日期 | 2020.11.09 |
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