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| 兩件夏侯純陀造像的信仰、風格與源流探究 - 甘肅館藏佛教造像研究之五=A Study on the Faith, Style, and Origin of the Two Stelae Made by Xiahou Cunda - A Study on the Buddhist Steles of Gansu（Ⅴ） | ||
| 作者 | 王艷 (著)=Wang, Yan (au.) ; 魏文斌 (著)=Wei, Wen-bing (au.) |
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| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.6 (總號=n.178) |
| 出版日期 | 2019 |
| 頁次 | 42 - 50 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：蘭州大學敦煌學研究所；寧夏大學美術學院；蘭州大學考古學及博物館學研究所 |
| 關鍵詞 | 北周=Northern Zhou dynasty; 夏侯純陀造像=Xiahou Cunda; 信仰=faith; 風格=style; 源流 |
| 摘要 | 甘肅省博物館和西安碑林博物館各藏一北周天和四年佛教造像碑,兩件造像碑發愿文相同,顯示為夏侯佛陀雕造。前者正面為觀音菩薩立像,后者為四面單體造像碑,上雕佛、弟子、菩薩和供養人等形象,它們的造像形式是天和年間佛教造像樣式的例證,經考證,二者的來源地應為渭北耀縣一帶。 Both Gansu Provincial Museum and Xi’an Beilin Museum have a Buddhist-image stele made in the fourth year of the Tianhe era during the Northern Zhou dynasty. The votive texts of both stelae are the same, indicating that they were made by the same person. The front of the former stele shows the image of a standing Avalokitesvara where as the second is a four-sided stele with carved images of the Buddha, Buddha’s disciples, Bodhisattvas, and donors. The figures depicted by these two artifacts bears witness to the style of Buddhist imagery in the Tianhe era. A study on these two stelae suggests that they should have derived from the area of what is currently Yao County in Weibei, Shanxi Province. |
| 目次 | 一 造像介紹 43 二 造像者身份、造像組合形式與信仰 45 三 北周天和時期造像的風格特徵 47 四 造像來源地的考察及長安佛教造像 49 |
| ISSN | 10004106 (P) |
| 點閱次數 | 710 |
| 建檔日期 | 2020.11.09 |
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