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| 四川內江新發現摩崖浮雕觀音救難圖像考察=A Study on the Images of Avalokitesvara’s Rescue among the Cliff Carvings of Neijiang, Sichuan Province | ||
| 作者 | 李冠畿 (著)=Li, Guan-ji (au.) |
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| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.6 (總號=n.178) |
| 出版日期 | 2019 |
| 頁次 | 34 - 41 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：清華大學美術學院 |
| 關鍵詞 | 聖水寺摩崖造像=Shengshui Temple; 普陀巖摩崖造像=Putuoyan Cave; 觀音救難圖像=Image of Avalokitesvara’s Rescue |
| 摘要 | 文章闡述了筆者在內江新發現的兩鋪晚唐五代前後摩崖浮雕觀音救難圖像,認為普陀巖救難圖像主尊兩側場面的內容與形式呈現左右對應的規律,而聖水寺救難圖像則依據《觀世音菩薩普門品》重說偈敘述次序順時針環繞主尊排列,各具獨特性。兩鋪圖像選擇的經文情節、藝術表現與當時漢文化地區流行的同類圖像相近,其中聖水寺救難圖像較完整地表現了重說偈內容,為目前所僅見。 This paper describes two images of Avalokitesvara’s Rescue that were recently found by the author among cliff carvings from the Late Tang and Five Dynasties in Neijiang, Sichuan province. In the Putuoyan Cave, the images depicting the rescue scene on the two sides of a central statue of Avalokitesvara are symmetrical, while in the Shengshui Temple, similar images are arranged clockwise around the central statue, the sequence of which accords with the narrative order from the repeated verses in The Universal Gate of Avalokitesvara Bodhisattva. Research on the two images from Neijiang reveals that each image has its own characteristics, and that the plots and specific representations are remarkably similar in theme to the contemporary popular Chinese culture of the area. The images in Shengshui Temple more completely embody the content of the repeated verses and are more uniquely Chinese in their style of depiction. |
| 目次 | 一 內江普陀岩摩崖浮雕觀音救難圖像 35 1. 龕像現況 35 2. 圖像表現與內容 35 3. 圖像組合反映的情況 36 二 聖水寺摩崖浮雕觀音救難圖像 37 1. 龕像現況 37 2. 圖像表現與內容 37 3. 圖像組合反映的情況 39 三 內江觀音救難圖像在整體系譜 39 |
| ISSN | 10004106 (P) |
| 點閱次數 | 280 |
| 建檔日期 | 2020.11.09 |
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