 |
|
| 敦煌五代時期僧尼供養像服飾研究=A Study on the Costumes of Buddhist Monks and Nuns in Dunhuang during the Five Dynasties | ||
| 作者 | 崔巖 (著)=Cui, Yan (au.) ; 楊建軍 (著)=Yang, Jian-jun (au.) |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.5 (總號=n.177) |
| 出版日期 | 2019 |
| 頁次 | 52 - 60 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：北京服裝學院敦煌服飾文化研究暨創新設計中心；清華大學美術學院 |
| 關鍵詞 | 五代=Five Dynasties; 敦煌=Dunhuang; 僧尼供養像=donor figures of Buddhist monks and nuns; 服飾=monastic costumes |
| 摘要 | 僧尼供養像是敦煌供養人畫像的重要部分,從唐代起僧尼就作為供養主體出現在敦煌壁畫中。五代時期,僧尼供養像多處於男女供養人畫像的起首位置,是行進隊列的帶領者。佛教律典中對僧尼服飾的形制、材質、色彩、披著方式等都有所規定。敦煌五代時期比丘帽子、袈裟(大衣)、僧袍、裳(裙)、鞋履以及比丘尼袈裟(大衣)、上衣、裙子、鞋履等僧尼供養像服飾具有鮮明的特徵。研究認為,敦煌五代時期僧尼供養像服飾是宗教性和世俗性的統一,既體現了源自印度的佛教律典中相關的規定和傳統,也明顯融合了漢族傳統服裝的款式和紋樣。對敦煌僧尼供養像服飾的專題性研究,是全面化整體研究敦煌服飾文化進程中不可或缺的重要內容。 The images of Buddhist monks and nuns are an important part of the thematic depiction of donor figures in Dunhuang cave murals, and beginning in the Tang dynasty came to occupy a prominent position in paintings of donor groups. During the Five Dynasties, Buddhist monks and nuns were often painted at the head of honorary processions representing patrons of Buddhism, which is an excellent reflection of the donation culture and relationship between the secular and religious worlds of the time. The subject of this study is the clothing worn by the monks and nuns during the Five Dynasties period, particularly the distinctive features of the hats, robes, gowns, skirts, and shoes depicted in cave murals, about which Buddhist scriptures contain strict regulations regarding shape, material, and color, as well as the occasions on which different monastic costumes were to be worn. The research yielded three conclusions: the costumes worn by Buddhist monks and nuns indicate the unity of religiousness and secularity; these costumes were used as a sort of expressive medium to embody certain principles and traditions of the original Indian Buddhist scriptures; and finally, that the integration with the styles and patterns of secular Chinese clothing shows how connected Buddhist and local culture had become during the Five Dynasties. |
| 目次 | 一 敦煌五代時期比丘和比丘尼供養像題記和身份 53 二 佛教律典中的比丘和比丘尼服飾 54 1. 比丘和比丘尼服飾的形制 54 2. 比丘和比丘尼服飾的材質 55 3. 比丘和比丘尼服飾的色彩 55 4. 比丘和比丘尼服飾的披著方式 55 三 比丘供養像與服飾特徵 55 1. 比丘供養像 55 2. 比丘供養像服飾特徵 56 四 比丘尼供養像與服飾特徵 59 1. 比丘尼供養像 59 2. 比丘尼供養像服飾特徵 59 五 結語 60 |
| ISSN | 10004106 (P) |
| 點閱次數 | 284 |
| 建檔日期 | 2020.11.09 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
