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谵蕩清空:「畫禪」視域下的夏荊山繪畫=Pure and Clear: Zen Painting Through the Eyes of Xia Jing Shan
作者 夏燕靖 (著)=Xia, Yan-Jing (au.)
出處題名 荊山美學=Jing Shan Aesthetica
卷期n.6
出版日期2020.05
頁次62 - 67
出版者夏荊山文化藝術基金會
出版者網址 https://www.xjsacf.com/TW/home/Default.asp
出版地臺北市, 臺灣 [Taipei shih, Taiwan]
資料類型期刊論文=Journal Article
使用語言中文=Chinese; 英文=English
附註項追思特輯
作者單位:南京藝術學院藝術學研究所暨設計學院
摘要荊山檀越原籍山東壽光,年少師從郭味蕖先生習得丹青,研學花卉、人物、仕女、山水之畫藝。二十八歲時,拜南亭法師為師,皈依佛門,且專門研習佛像繪畫。在他的自述中,曾感嘆此生最大之幸事,乃拜大善知士南懷瑾先生門下,朝夕侍學。期間深受南師的言傳身教,其中禪悟之道為其一生修學處事所受用。我以本文就荊山檀越畫藝和畫境有一個延展探討,接續上他專擅哲學、堪輿,將其濟世本懷的佛道,修為根底的佛法與之禪境繪畫之密境而論,領略荊山檀越大智者引世人的修行。

Master Xia Jing Shan was born in Shouguang City in Shandong Province of China and was under the tutelage of Kuo Wei-Qu and received training for a variety of ink paintings including floral, human figure, female portrait, and landscape. At the age of 28, Xia became a Buddhist practitioner under the guidance of Master Nan Ting, and it was during this time that the began to focus on painting Buddhist portraits. Xia once stated that the greatest blessing in his life was to be mentored by Nan Huai-Chin. Nan taught with his words and also through his actions, and Xia regarded the learning of Zen enlightenment as the philosophy that he would follow in life. This essay is an extended study on Xia's paintings and his conception. Referring to the philosophy, geomancy, and the way that Xia conducted himself as a great sage guiding the world's mortal beings is explored through examining his Buddhist foundation and the Zen inspired paintings he created.
目次淵源 Origin 62
繼承 Heritage 63
夏荊山之佛畫風格與特色 Style and Features in Xia Jing Shan's Buddhist Paintings 64
(一)創作融入禪宗思想 1. Incorporating Zen Buddhist Philosophy in Art 64
(二)深厚的繪畫底蘊 2. Substantial Foundation for Painting 65
(三)佛教藝術貢獻 3. Contribution Towards Buddhist Art 65
結語 Conclusion 66
ISSN24107719 (P)
點閱次數231
建檔日期2020.07.01
更新日期2024.07.04










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