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| Ninnaji and Otherworlds in the Nō Tsunemasa | ||
| 作者 | Oyler, Elizabeth |
|---|---|
| 出處題名 | Journal of Religion in Japan |
| 卷期 | v.2 n.2-3 |
| 出版日期 | 2013 |
| 頁次 | 152 - 170 |
| 出版者 | Brill |
| 出版者網址 | http://www.brill.com/ |
| 出版地 | Leiden, the Netherlands [萊登, 荷蘭] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Heike monogatari; Taira family history; medieval performance studies; Nō drama |
| 摘要 | This essay discusses the Nō Tsunemasa in connection with narratives about the life of the warrior Taira Tsunemasa, killed during the Genpei War, and his biwa lute, Seizan. A mugen Nō (“dream Nō,” in which the main character, the shite, is a ghost) in one act, the play exhibits an unusual structure: it is the enactment of a memorial musical service for the dead Tsunemasa, set at Ninnaji, the temple at which he served during his youth, rather than at the locale where he died, the more common setting for such plays. Focusing on Ninnaji as the setting for the play, I discuss how its structure as a performance of a service creates connections with several other scenes of virtuoso biwa performance found in Tsunemasa’s life story. I argue that the play’s use of the meaningful site of Ninnaji—arguably the center of Shingon practice and a temple at which royal princes served as Omuro, or “prince-abbot”—creates complex ways of addressing the character of Tsunemasa historically and within the performance traditions of Heike monogatari recitation and the Nō. |
| ISSN | 22118330 (P); 22118349 (E) |
| DOI | 10.1163/22118349-12341257 |
| 點閱次數 | 186 |
| 建檔日期 | 2017.03.15 |
| 更新日期 | 2020.04.30 |
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