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| 從芭蕉圖像看佛教藝術與文人情結=Human Body Is Like A Banana Tree: The Transferring Between Buddhist Art and Literati Complex Seen From the Images of the Banana | ||
| 作者 | 李溪 (著)=Li, Xi (au.) |
|---|---|
| 出處題名 | 北京大學學報 (哲學社會科學版)=Journal of Peking University (Philosophy and Social Sciences Edition) |
| 卷期 | v.49 n.2 |
| 出版日期 | 2012.03 |
| 頁次 | 52 - 59 |
| 出版者 | 北京大學出版社 |
| 出版者網址 | http://www.pku.edu.cn/ 或 www.pku.edu.cn/academic/xbss |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者為北京大學哲學系博士研究生 |
| 關鍵詞 | 芭蕉湖石=banana tree beside a lake rock; 芭蕉書寫=banana leaf as a writing paper; 佛教隱喻=Buddhist metaphor; 文人=literati |
| 摘要 | 本文以南宋陸信忠《十六羅漢圖》中的芭蕉湖石與芭蕉為紙的兩個圖像為引，分三個側面論述芭蕉在中國文化史和藝術史上的意義傳遞，以及這種傳遞過程中所展現的佛教寓意與文人情懷、文字與圖像的互動關係。芭蕉湖石和芭蕉為紙書的典故，經由佛典的隱喻轉入文人書寫，最終回歸到佛教題材的《十六羅漢圖》的圖像中，在這一流傳的脈絡中，芭蕉的意義被複製、更變和選擇，但不變的，是文人對於生命真義的訴求。 Inspired by two pictures that respectively involved the image of a banana tree beside a lake rock and the image of a banana leaf as a writing paper from a set of paintings entitled Sixteen Arhats by Lu Xinzhong of the Southern Song Dynasty, this article discusses the meaning transmission of the plantain in the history of Chinese culture and the history of Chinese art, indicating the interactions between Buddhist implication and literati complex, and between the text and the image, which were shown in the course of its meaning transmission. The allusions of "a banana tree beside a lake rock" and "a banana leaf as a writing paper", transferred from Buddhist metaphors to literati’s writing, and finally recurred as images in Sixteen Arhats with Buddhist themes. In this process, the meaning of the banana has been replicated, shifted and selected, but the literati’s appeal for the truth of life has never changed. |
| 目次 | 第一個輪轉：芭蕉的佛教寓意與文人的傳遞 53 第二個輪轉：芭蕉湖石的莊禪寓意 55 第三個輪轉：芭蕉書寫的典故 58 |
| ISSN | 02575876 10005919 (P); 10005919 (E) |
| 點閱次數 | 91 |
| 建檔日期 | 2017.01.05 |
| 更新日期 | 2019.08.20 |
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