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| 論王維玄佛結合的人生哲學及與藝術的關係=On Wang Wei’s Philosophy of Life: An Integration of Neo-Taoism and Buddhism, and its Relation with his Art | ||
| 作者 | 錢志熙 (著)=Qian, Zhi-xi (au.) |
|---|---|
| 出處題名 | 北京大學學報 (哲學社會科學版)=Journal of Peking University (Philosophy and Social Sciences Edition) |
| 卷期 | v.51 n.6 |
| 出版日期 | 2014.11 |
| 頁次 | 57 - 68 |
| 出版者 | 北京大學出版社 |
| 出版者網址 | http://www.pku.edu.cn/ 或 www.pku.edu.cn/academic/xbss |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者為北京大學中文系教授 |
| 關鍵詞 | 王維=Wang Wei; 玄學=Neo-Taoism; 佛學=Buddhism; 詩學=poetics; 藝術=art |
| 摘要 | 王維具有多種身份角色和多個思想及藝術的層面，對此進行調諧與整合的主要是一種玄佛結合的人生哲學。這也是他所說的「道」的主要內容。從淵源來講，這種人生哲學來自於東晉南北朝的士族文化傳統，但在盛唐時代以王維為代表的寒素士人群體成為它的主要繼承者。王維詩歌中表達了豐富的自然及自然與名教合一的玄學主題，並且常常與佛禪哲學結合。崇尚自然與證悟無生，是其在玄學與佛學方面的主要追求。王維對於世俗與現實，從早年的有所對抗到晚年的完全調和，正是其上述人生哲學調諧的結果。其思想特點更接近於謝靈運，而與陶淵明存在一些質的不同。王維的出處同歸、色空無礙、名教即自然等思想，具有一種虛假性。王維的藝術境界也體現了與上述思想對應的多種層次。 What harmonized and integrated Wang Wei’s multiple identities and different levels of thought and art was his philosophy of life, which was an integration of Neo-Taoism and Buddhism, and also the main content of what he meant by Tao (道). Wang Wei’s philosophy of life was originated from the cultural tradition of the established families in the Eastern Jin, and Southern and Northern Dynasties, while the group of lower-class scholars represented by Wang Wei in the heyday of the Tang Dynasty became the main successors of this philosophy of life. Wang Wei’s poems denoted rich Neo-Taoist themes of naturalness and the integration of naturalness with Confucian ethical codes (自然與名教合一), which were often combined with Buddhist philosophy. To advocate naturalness and the awareness of birthlessness was his chief pursuit in NeoTaoism and Buddhism. Wang Wei somewhat repelled the secular society and the real world in his early life, but totally got integrated with them later. This was just the result of his harmonization with the above philosophy of life. His philosophy was nearer to that of Xie Lingyun’s (謝靈運), but essentially different from that of Tao Qian’s (陶潛). His thoughts that different routes lead to the same goal, matter and its virtualness are unimpeded,and naturalness equals Confucian ethical codes, were all characterized with virtualness. His artistic imagery was corresponding to his thoughts at different levels. |
| 目次 | 一 58 二 60 三 62 四 65 五 66 |
| ISSN | 02575876 10005919 (P); 10005919 (E) |
| 點閱次數 | 85 |
| 建檔日期 | 2017.01.05 |
| 更新日期 | 2019.08.20 |
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