In the different age, under the same faith to the God, the figure of Guanyin had been changed by time, and it also changed with the society and the demand of life. Observing the Guanyin’s carving in different dynasties, we can conclude the developing of Guanyin’s craving by using the document survey method and the analysis-comparative method. The Guanyin’s carving in the Suei Dynasty was symmetrical and dainty. The Guanyin’s carving in the Tang dynasty was garbed in India-like customs, much casual and easeful. The Guanyin’s carving in the Song dynasty was simple but awesome. The Guanyin’s craving in the Yuan dynasty looked like foreigner in dress or appearance. The Guanyin’s carving in the Ming dynasty was more gorgeous and detailed. The Guanyin’s carving in the Ching dynasty was not having the god’s atmosphere than before, and it looks like a mortal and decorations became more and more uncomplicated.
