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| 翻譯近世漢傳觀音菩薩:從賤斥母親到文化收攝=Translating Kuan-Yin: From the Abject Mother to the Cultural Inclusiveness | ||
| 作者 | 高家萱 |
|---|---|
| 出處題名 | 世界宗教學刊=Journal of World Religions |
| 卷期 | n.17 |
| 出版日期 | 2011.06.01 |
| 頁次 | 71 - 91 |
| 出版者 | 南華大學宗教學研究所 |
| 出版者網址 | https://rel3.nhu.edu.tw/ |
| 出版地 | 嘉義縣, 臺灣 [Chia-i hsien, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 賤斥母親=the abject mother; 妙善公主=Princess Miao-shan; 《香山寶卷》=Hsiang-shan Pao-chüan; 千手千眼=Avalokiteśvara; 文化翻譯=cultural |
| 摘要 | 本論文擬從克莉斯蒂娃(Julia Kristeva,1941-)「賤斥母親」的觀點重新閱讀妙善和觀音千手千眼變身的議題。目前的觀音信仰研究多強調女神提供父權、父神無法取代的社會功能,而女神母性、陰性的特質(如慈愛、柔順)又使祂們倍受女性敬拜。事實上,妙善傳說對中國封建父權的孝道有著再社會化和陌生化的文化翻譯(cultural translation)。因此,重新理解出現在第十一世紀後的《香山寶卷》是如何由觀音信仰承載中國儒孝、從分析中國妙善公主捨手眼治父疾是如何在保存觀音菩薩在《千手千眼觀世音菩薩廣大圓滿無礙大悲心陀羅尼經》原型意象的前提上,延伸、杜撰女子抗婚、救父以修行的新社會價值,都有助於當代讀者反省民間流傳的觀音故事,是如何透過未婚女性形象,重新翻譯千手千眼內含賤斥身體的佛教圖像。 The essay is to re-read the transformation issue of Princess Miao-shan as a Chinese Kuan-yin (i.e. Avalokitesvara) from the perspective of the abject mother. The abject mother, according to Julia Kristeva (1941- ), indicates a woman's ambivalent characterization through the ethical confrontations between her selfhood and the patriarchic society, of which involves an intricate re-socializing process when her identity is impacted by a solid belief system, starting from disobeying the arranged marriage to the renewed meaning of filial piety. Kuan-Yin in Hsiang-shan Pao-chuan provides such an image of abject mother, being first as a young daughter vehemently disobeying her father, but later surprisingly and successfully saving he life of her father, by sacrificing her eyes and hands. By perceiving the Chinese-Buddhistic ethical confrontation in the mentioned text as cultural translation, this paper thereby examplifies Princess Miao-shen to be a figure of abject mother. |
| 目次 | 一、從瑪利信仰到女神信仰 73 二、從印度王子到中國公主 77 三、從經卷到寶卷 80 四、從中國女兒到中國父親 85 五、結論 88 參考文獻 89 |
| ISSN | 1728645X (P) |
| 點閱次數 | 381 |
| 建檔日期 | 2016.10.24 |
| 更新日期 | 2017.11.09 |
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