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| 禪宗、身體美學與王維的詩及其翻譯=Zen, Somaesthetics, Wang Wei’s Poem and Its Translation | ||
| 作者 | 李慶本 (撰)=Li, Qing-ben (compose) |
|---|---|
| 出處題名 | 中國文化研究=Chinese Culture Research |
| 卷期 | n.3 |
| 出版日期 | 2015 |
| 頁次 | 20 - 28 |
| 出版者 | 北京語言文化大學 |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 王維=Wang Wei; 禪宗=Zen Buddhism; 身體美學=Somaesthetics; 翻譯=translation; 非二元性=non-duality |
| 摘要 | 本文以王維的《山居秋暝》及其五個英譯本為透視焦點，從中國禪宗與西方身體美學兩個不同的角度進行深入的解讀。為了展現出中國與西方、古代與現代之間的跨文化聯繫與闡釋，本文以“非二元性”為基礎強調了中國禪宗與身體美學理論之間的共同性。在文中，“非二元性”不僅指對傳統的二元對立的概念( 例如動/靜、內/外、主體/客體、身體/精神、人/自然這些在王維的《山居秋暝》中已闡明的概念) 的超越，也指不同文化之間的溝通與相互超越。本文把文本翻譯的過程看作是一種跨文化的媒介交互作用的模式，這種話語模式超越了一般意義上的口頭與書面話語。 Focusing on "Dwelling in Mountain and Autumn Twilight"( 《山居秋暝》), a well-known poem by Wang Wei, this paper sets up a cross-cultural passage between Zen Buddhism and Somaesthetics, a theory of aesthetics by Richard Shusterman. The paper stresses their common interest in non-duality in order to show points of cross-cultural connection and interpretation between China and West, and between ancient and modern times. In this paper, non-duality refers not only to transcendence between dualities such as silence/noise, stillness/movement, outside/inside, subject/object, body/mind, human/nature, as illuminated in Wang Wei’s poem. It also refers to transcendence between different cultures. The paper focuses on translation as a mode of intercultural intersemiotics, beyond oral and written discourse. |
| ISSN | 10053247 (P) |
| 點閱次數 | 166 |
| 建檔日期 | 2016.09.09 |
| 更新日期 | 2019.10.02 |
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