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本資料由 李玉珉老師 提供
| 唐代佛幡圖案與工藝研究=A Study on the Patterns and Techniques of the Tang Dynasty Buddhist Banners | ||
| 作者 | 楊建軍 ; 崔岩 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.144) |
| 出版日期 | 2014.04 |
| 頁次 | 1 - 15 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 佛幡; 藏經洞; 工藝; 圖案 |
| 摘要 | 幡是佛教供養佛、菩薩的供養具。現在所見佛幡實物多來自敦煌莫高窟藏經洞的出土發現和日本寺院的傳世品,此外敦煌莫高窟壁畫和藏經洞絹畫中描繪了佛幡的形制、顏色和功用等。依據這些具體的實物與圖像,參考文字記載,可以對唐代佛幡的來源、形制、圖案和工藝進行探討,以認識它在技術和藝術上的綜合特點。 A Buddhist banner is not only an offering to Buddha and Bodhisattvas, but also an ornament in Buddhist rites. Through its use and dissemination, it has gradually developed into a relatively fixed form and usage. Now most Buddhist banners surviving today are either from the Library Cave at Dunhuang or monastic heirlooms in Japan. In addition, the murals of the Dunhuang caves and the silk paintings from the Library Cave inform the shape, color and function of Buddhist banners. Based on these specific objects, images and written records, this paper attempts to discuss the origin, shape, pattern and techniques of Buddhist banners, and thus demonstrate their art and technological features. |
| ISSN | 10004106 (P) |
| 研究類別 | 緙繡織品; 裝飾圖案 |
| 研究時代 | 唐代 |
| 研究地點 | 甘肅(敦煌) |
| 點閱次數 | 151 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.05.24 |
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