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本資料由 李玉珉老師 提供
| Media Transfer and Modular Construction: The Printing of Lotus Sutra Frontispieces in Song China | ||
| 作者 | Huang, Shih-shan Susan (著)=黃士珊 (au.) |
|---|---|
| 出處題名 | Ars Orientalis |
| 卷期 | v.41 |
| 出版日期 | 2011 |
| 頁次 | 135 - 163 |
| 出版者 | Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan |
| 出版地 | Michigan, US [密西根州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | 版畫; 妙法蓮華經; 印經 |
| 摘要 | The appropriation, transformation, and exchange of images between Chinese printmaking and painting marks a new chapter in Song 宋 (960–1279) visual culture studies. The earliest extant Lotus Sutra frontispiece prints associated with Song Hangzhou offer excellent visual examples for a reevaluation of this new phenomenon from the perspective of media transfer and modular construction. Frontispiece artisans created standard templates and modular motifs in order to mass-produce illustrated prints. While some of the motifs derived from earlier pictorial conventions, others were new inventions that had a lasting impact on East Asian visual culture beyond time, place, and religion. This article responds to the broader discourse surrounding imagery transformation in the Tang—Song transition, the aesthetic dimensions of mass production, and the interrelationship between tu 圄 (graphics) and hua 晝 (painting) in Chinese visual culture. |
| 目次 | Media Transfer from Painting to Printing 137 Reshaping the Art of the Lotus Sutra in Northern Song Frontispieces 140 Decorative Motifs 141 The Drum-striking 143 The Ox Rider and the Fenced Hut 144 The Liao Counterpart 145 The Xi Xia Connection 146 Modular Examples in the Southern Song Frontispieces 147 Jiehua Elements 148 Furniture Designs 149 The Hut Motif 150 The Construction Scene 151 Conclusion 152 |
| ISSN | 05711371 (P) |
| 研究類別 | 文獻資料; 佛教圖像 |
| 研究時代 | 宋代 |
| 研究地點 | 中國 |
| 點閱次數 | 203 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2023.07.04 |
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