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本資料由 李玉珉老師 提供
| 法門寺唐「捧真身菩薩」藝術原型再探 | ||
| 作者 | 葛承雍 (著)=Ge, Cheng-yong (au.) |
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| 出處題名 | 考古與文物=Archaeology and Cultural Relics |
| 卷期 | n.1 |
| 出版日期 | 2010.02 |
| 頁次 | 87 - 90 |
| 出版者 | 陜西省考古研究所 |
| 出版地 | 西安, 中國 [Xi'an, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：國家文物局文物出版社 |
| 關鍵詞 | 法門寺=Famensi Temple; 唐代=Tang Dynasty; 菩薩=Bodhisattva; 高僧=Eminent Monks |
| 摘要 | The academia has deferent explanations on the artistic model of the Statue Bodhisattva holding sarira of the Buddha, which was unearthed from Famensi Temple's underground palace of Tang Dynasty. Some scholars argue that this Bodhisattva figurine originates from Lakshmi of Indian Buddhism, or Heaven's Maid of worshipping of Vajrayana Buddhism. Others consider it as the emperor himself of that time. Based on image analysis and textual research, the author indicates that the original artistic model of this Bodhisattva figurine is the eminent monk of temples in Chang'an, who might be a religion leader, praying respect for Buddha on a Buddhistic ritual ceremony on behalf of the emperor. |
| ISSN | 10007830 (P) |
| 研究類別 | 雕塑造像 |
| 研究時代 | 唐代 |
| 研究地點 | 陝西(扶風法門寺) |
| 點閱次數 | 237 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.10.17 |
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