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本資料由 李玉珉老師 提供
| 明宮廷畫家商喜及其畫風再探 | ||
| 作者 | 郭麗平 |
|---|---|
| 出處題名 | 故宮博物院院刊=Palace Museum Journal |
| 卷期 | n.6 |
| 出版日期 | 2012 |
| 頁次 | 122 - 134 |
| 出版者 | 紫禁城出版社 |
| 出版者網址 | http://www.culturefc.cn/index/product.jhtml?act=index |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 商喜; 明宮廷畫家; 真禪內印頓證虛凝法界金剛智經; 漢藏風格 |
| 摘要 | 臺北故宮博物院現藏有一部款署"臣沈度敬書"、"臣商喜敬繪"的明宣德三年(1428)明宮廷寫繪本《真禪內印頓證虛凝法界金剛智經》(簡稱《金剛智經》,共三卷)。該經全部106幅彩繪插圖為目前已知唯一的一組有明確紀年的、題為商喜繪制的宗教畫作,然而,學界對其是否系商喜親自繪制這一問題卻持有不同的看法。因此,在對《金剛智經》彩繪插圖的漢藏融合風格特征加以細致分析的基礎上,本文將結合商喜畫作《老子出關圖》的畫風特征對其加以判定,明晰商喜畫作中的南宋院體畫風特征<1>,最后認定《金剛智經》彩繪插圖應為商喜所繪,并由此認為,商喜善繪藏傳佛教圖像是一個不爭的事實。 Based on the illustrated Buddhist sutra titled with Zhenchan Neiyin Dunzheng Xuning Fajie Jingangzhi Jing(short for Jingangzhi Jing) collected in the Palace Museum in Taipei,in which are presented the paintings by Shangxi together with the inscriptions by Shendu and the completed date saying the 3rd year of the Xuande(宣德) reign(1428),this paper makes a further study of the only extant volume of religious art classics including 106 pieces of colored illustrations bearing Shangxi’s signature and exact date in aspects of the blend of the Han-Tibetan styles and characteristics compared with his another masterpiece of ’Laozi on Expedition’(Laozi Chuguan Tu),clarifying the academic painting style of the southern-Song dynasty shown in these works,and concluding that these illustrations were painted by Shangxi himself,who therefore proved to be an artist who had ever created artworks thematically on the Buddhism with his good master of Tibetan painting style and skills this way. |
| 目次 | 一、載於明清畫史、畫論中的商喜畫作 124 二、現藏國內外傳為商喜繪製的畫作 124 三、台北故宮博物院藏《金剛智經》彩繪插圖的藝術特徵 126 四、對《金剛智經》彩繪插圖與《老子出關圖》的比較分析 133 |
| ISSN | 04527402 (P); 04527402 (E) |
| 研究類別 | 繪畫 |
| 研究時代 | 明代 |
| 研究地點 | 中國 |
| 點閱次數 | 209 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.09.23 |
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