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| 倫敦大維德國美術館藏何朝春作德化瓷觀音像年代與作者再鑑定 | ||
| 作者 | 戴翠華 |
|---|---|
| 出處題名 | 故宮博物院院刊=Palace Museum Journal |
| 卷期 | n.3 |
| 出版日期 | 2009 |
| 頁次 | 42 - 51 |
| 出版者 | 紫禁城出版社 |
| 出版者網址 | http://www.culturefc.cn/index/product.jhtml?act=index |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 德化白瓷=Dehua white porcelain; 中國白=Chinese white; 模制=mould production; 捏塑=hand shaping; 何派風格= "He School" style |
| 摘要 | 福建德化白瓷是中華古代藝術中最重要的瓷品之一,然因古文獻對瓷藝匠師記載有限,且偽款仿品甚多,故德化白瓷的斷代鑒識一直是古陶瓷研究中難度甚高的課題。何朝春是當時聞名的藝師之一,目前全世界所發現的何朝春款傳世作品不超過二十件,然其風格不一,水準也良莠不齊,仿品亦幾可亂真,鑒定工作極為不易。作者在本文中參考中外學者研究,根據第一件紀年的德化白瓷塑像檢視、分析主流大師伺朝宗與伺朝春的作品風格,由此推衍出伺朝春的生活年代,并藉以再度審視倫敦大維德中國美術館所藏何朝春款觀音瓷像。 Fujian Dehua white porcelain is one of the most important types of ancient Chinese ceramic art,but there are scant documentary records concerning it.Moreover fakes abound, making the dating and authentication of Dehua porcelain one of the very difficult areas in Chinese ceramics studies.He Chaochun is one of the renowned ancient master potters,although less than twenty pieces of his work are known around the world.Moreover,their style is not uniform and the quality of these pieces is inconsistent.Moreover some fakes are mixed with genuine works,making the work of authentication even more difficult.The author examines all previous international and local research on the subject.On the basis of a study of the first dated Dehua piece,a porcelain sculptural figure,analyzes the works of the mainstream masters He Chaozong and He Chaochun.He discusses the dates of the latter and the style of his works,and on the basis of this fresh research,subjects to close scrutiny the Dehua porcelain Guanyin image attributed to He Chaochun in the Percival David Chinese Collection in London. |
| 目次 | 一、引言 42 二、何朝宗與"何派"藝術 46 三、何朝春作品與風格 49 四、結語 50 |
| ISSN | 04527402 (P); 04527402 (E) |
| 研究時代 | 清代 |
| 研究地點 | 福建 |
| 點閱次數 | 201 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.09.18 |
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