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| 敦煌橦技小考=A study of acrobatic feat of dancing on a pole in Dunhuang Murals | ||
| 作者 | 李金梅 ; 從振 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.122) |
| 出版日期 | 2010.08 |
| 頁次 | 44 - 47 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 百技; 橦技; 體操; 敦煌 |
| 摘要 | 敦煌遺存的百戲史料較為豐富,作為我國古代百戲藝術形式之一的撞技也反映于其中。本文結合文獻史料,對敦煌壁畫中所反映的植技的內容和形態特征進行考證分析,認為橦技不僅是人體文化的表現,而且也是身體、技巧、力量、心理、動律以及審美等的顯示,并與現代競技體操有著密切的血緣關系,歸納其文化意蘊和發展規律,從而進一步論證現代體操的雛形就源于中國的。 There are abundant with iconographic materials of acrobatic feats in Dunhuang Art,dancing on a pole,one of Chinese traditional acrobatic feats found among them.This article tries to examining all of the images of the dancing on a pole in Dunhuang Murals and study them by the states and feature while a careful textual research on historic documents is supportive resources,and then put forward a opinion that the performance of dancing on a pole are not only be considered as body showing but a art of skill,power,state of mind and beauty of dynamic movement as well.All of evidential fact shows that this acrobatic feat has much close relationship with a modern gymnastic race and can be considered to be original source of modern gymnastics racing in China. |
| ISSN | 10004106 (P) |
| 研究時代 | 五代十國-五代 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 330 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.05.03 |
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