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| Between Representations: The Historical and the Visionary in Chen Hongshou's "Yaji" | ||
| 作者 | Burkus-Chasson, A. |
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| 出處題名 | The Art Bulletin |
| 卷期 | v.84 n.2 |
| 出版日期 | 2002.06 |
| 頁次 | 315 - 333 |
| 出版者 | College Art Association |
| 出版者網址 | http://www.collegeart.org |
| 出版地 | New York, NY, US [紐約, 紐約州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Anne Burkus-Chasson Anne Burkus-Chasson writes on seventeenth-century Chinese painting and woodblock-printed books [School of Art and Design, Art History Program, University of Illinois at Urbana-Champaign, 408 East Peabody Drive, Champaign, Ill. 61820]. |
| 關鍵詞 | 陳洪綬 |
| 摘要 | Chen Hongshou's Yaji (Elegant Gathering) seems to portray a celebratory assembly of historical men. Yet it defies generic expectations. Chen questions the possibility of celebration during times of war. Presenting the assembly as an imaginary event, he introduces a story that throws into doubt the ability of the fictive actors to perceive the source of their salvation in a vision of the bodhisattva Guanyin. Working between fiction and history, between the visible and the invisible, Chen engages the viewer in contemporary debates about the nature of seeing and the efficacy of Buddhist practices. |
| 目次 | Between History and Fiction 317 Between VISibility and Invisibility 324 Frequently Cited Sources 330 Notes 330 |
| ISSN | 00043079 (P); 15596478 (E) |
| 研究類別 | 繪畫 |
| 研究時代 | 明代 |
| 研究地點 | 中國 |
| 點閱次數 | 104 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.11.21 |
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