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本資料由 李玉珉老師 提供
| 北魏司馬金龍墓葬的重新評估=The Tomb of Sima Jinlong of the Northern Wei Reconsidered | ||
| 作者 | 宋馨 (著)=Shing, Muller (au.) |
|---|---|
| 出處題名 | 中國文化研究所學報=Journal of Chinese Studies |
| 卷期 | n.新11 (總號=n.42) |
| 出版日期 | 2002 |
| 頁次 | 273 - 298 |
| 出版者 | 香港中文大學中國文化研究所 |
| 出版地 | 香港, 中國 [Hong Kong, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：慕尼黑大學東方研究所漢學系 |
| 摘要 | Sima Jinlong, a sideline descendant of the royal Sima clan of the Eastern Jin and a Tufa princess, died in 484. His tomb was discovered in 1965 near Datong, Shanxi. Several art works among the 454 unearthed objects from the tomb - such as the famous painted lacquer screen with scenes of Lienii zhuan and the celadon spittoon - carry unmistakably characteristics of the South. These works have ever since been considered examples par excellence of the great impacts of the Southern Chinese culture exerted on the Tuoba. Yet, when taking the burials of the Pingcheng period (398-494) of the Northern Wei as a whole into consideration, these art works appear to be isolated and do not seem to be integrated into the common burial practices during the Pingcheng period. Recent excavations near Datong indicate the formation of an independent Tuoba funerary culture. Their use of a large amount of clay figurines of warriors and attendants in Xianbei costumes and of stone couches with Buddhist ornaments, for example, may imply that Hexi was one of the major sources of the newly formed burial tradition of the Tuoba. A greater part of the grave goods from the tomb of Sima Jinlong fit well into this trend. Thus, it is necessary to reconsider the theory of cultural influences exerted directly by the Southern Chinese. |
| 目次 | 墓葬發掘概況 274 出土物品分布 275 墓誌 276 墓主及其生平 277 司馬金龍墓所顯示的葬俗特徵 281 結論 292 |
| ISSN | 10164464 (P); 10164464 (E) |
| 研究類別 | 考古 |
| 研究時代 | 南北朝-北朝-北魏 |
| 研究地點 | 甘肅(大同) |
| 點閱次數 | 162 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.12.18 |
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