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本資料由 李玉珉老師 提供
| 佛教繪畫中國化的啟示=Buddhist Enlightenment of Painting of Native Chinese Artistic Works | ||
| 作者 | 麻元彬 (著)=Ma, Yuan-bin (au.) |
|---|---|
| 出處題名 | 西北大學學報 (哲學社會科學版)=Journal of Northwest University (Philosophy and Social Sciences Edition) |
| 卷期 | v.37 n.6 |
| 出版日期 | 2007.11 |
| 頁次 | 183 - 186 |
| 出版者 | 西北大學學報編輯部 |
| 出版地 | 西安, 中國 [Xi'an, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：陜西教育學院藝術設計系 |
| 關鍵詞 | 夷體="yi" style (ie. foreign style); 夏體="xia" style (ie. Chinese style); 以夏變夷=using "xia" style to change "yi" style |
| 摘要 | 通過文獻記載佛教繪畫自東漢末年傳入中國，曾經歷了一段漫長的「夷」「夏」二體的衝突與融合的過程。在「以夏變夷」這一思想指導下，東漢至西晉是佛教繪畫實現中國化的第一階段。西晉至東晉是第二階段。東晉末至唐末，是第三階段。唐以後中國繪畫的民族風格，就是在中國本土繪畫風格不斷地吸收和溶化外來繪畫風格的過程中逐漸發展起來的。因此，研究自東漢以來佛教繪畫傳入中國後，「夏」「夷」兩體繪畫風格的融合及中國畫民族化這一歷史發展過程，在繼承本土繪畫的民族風格基礎上，要不斷吸收外來文化的營養，對處於新的中外繪畫交流與碰撞背景中的當代中國畫的發展，將具有重要的意義。 Since its introduction to China in the late years of the Eastern Jin Dynasty, the Buddhist paintings have undergone a long period of conflict and blending between "Xia" (Chinese) and "Yi" (foreign) styles. When the concept of transforming foreign style to Chinese style was prevailing, there appeared the first stage of Buddhist paintings with native Chinese character, which was lasting to the second stage from the western to Eastern Jin Dynasty, and from the late years of the Eastern Jin to the whole period of the Tang Dynasty was the third stage. After the Tang Dynasty the paintings with native Chinese style was formed and developed in the course of absorbing and blending exotic styles. Therefore, it is very important to understand and how the two styles, "Xia" and "Yi" were blending each other, and how the traditional Chinese paintings were absorbing exotic nutritions to form their own style on the basis of inheriting native Chinese cultural. For the traditional Chinese paintings today it is especially necessary to absorb the exotic styles and features to develop themselves on the background of cultural exchanges with more and more other countries. |
| 目次 | 一、佛教繪畫傳入中國之初的文獻記載 183 二、「華」「夷」二體，從鬥爭走向融合 183 三、佛教繪畫中國化的啟示 185 參考文獻 186 |
| ISSN | 10002731 (P); 10002731 (E) |
| DOI | 10.16152/j .cnki .xdxbsk. |
| 研究類別 | 繪畫 |
| 研究時代 | 中國-無 |
| 研究地點 | 中國 |
| 點閱次數 | 98 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2019.09.27 |
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