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本資料由 李玉珉老師 提供
| 關於6世紀中國七尊像中的螺髻像之研究=TX A Study of the Figures with Hair Coil Among a Group of the Seven Statues of the Sixth Century in China | ||
| 作者 | 金理那 ; 洪起龍 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.56) |
| 出版日期 | 1998.05 |
| 頁次 | 72 - 79 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 梵王; 七尊像 |
| 摘要 | 關于６世紀中國七尊像中的螺髻像之研究［韓］金理那著，洪起龍譯一、序言從中國佛教雕刻史看，進入６世紀后，以前帶有印度或西域樣式的佛教雕刻逐漸減少，中國化之傾向開始明顯。云岡、龍門、鞏縣和天龍山等處的石窟，這些石窟的歷史記錄、窟內龕室的造像之旁以及碑像的... Abstract On the steles and caves of the Northern Wei, Northern Qi and Nartherm Zhou periods, sculpture figures are usually fooud in group of seven, and here the Buddha is attended by two attendants whose hair wear in a high coil besides two Bodhisattvas and two Arhats. The at- tendants with hair coil stand between bodhisattva and Arhat or flank out outside of the niche. They wear Kasaya and put their palms together and make salute. According to the in- scriptions of steles " the Chapter on Buddhasetra of Vimalakirtinirdesasutra", this paper pre- sents that they were Brahmas, and then they were evolution and disappearance. |
| ISSN | 10004106 (P) |
| 研究類別 | 討論會紀要 |
| 研究時代 | 南北朝-北朝 |
| 研究地點 | 中國 |
| 點閱次數 | 222 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.01.31 |
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