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本資料由 李玉珉老師 提供
| 供養人畫像與唐宋敦煌世俗佛教=The Portrait of Donors and Vulgarization of Buddhism of Dunhuang During The Period of The Tang Dynasty and The Song Dynasty | ||
| 作者 | 沙武田 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.104) |
| 出版日期 | 2007.08 |
| 頁次 | 72 - 79 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 世俗化; 圖像證史; 供養人畫像; 敦煌世俗佛教 |
| 摘要 | 本文運用"圖像證史"的理論與方法,在前人對敦煌世俗佛教研究的基礎上,通過對唐宋時期敦煌供養人畫像詳細的分析研究,以供養人畫像為中心,就其反映和記錄的敦煌世俗佛教,從多個角度闡釋了供養人畫像與唐宋敦煌世俗佛教的密切關系。 This article attempts to trying out the theory and practice of A History Proved True by Existing Works of Art.Based on the achievement of the study of vulgarization of Buddhism of Dunhuang by former scholars,this article made a analysis in detail to the portrait of donors of the Dunhuang Mural dating from a period of the Tang dynasty and the Song dynasty and centralizing on those collective portrait of donors of Dunhuang,showing the fact that they have reflected and recorded Dunhuang secular society and reflected the true station of public belief at the past times in Dunhuang area,and furthermore,to consider and review those portrait of donors’ closer relationship with the local vulgarization of Buddhist society in all its aspects. |
| ISSN | 10004106 (P) |
| 研究時代 | 宋代 |
| 研究地點 | 甘肅(敦煌) |
| 點閱次數 | 676 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.04.17 |
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