 |
|
本資料由 李玉珉老師 提供
| 回眸敦煌美術工作=Looking Back Upon The Work As Artists at Dunhuang | ||
| 作者 | 李其瓊 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.3 (總號=n.85) |
| 出版日期 | 2004.06 |
| 頁次 | 27 - 34 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 敦煌研究院 ; 回顧; 美術工作 |
| 摘要 | 本文作者以親身經歷 ,回顧了敦煌研究院美術研究所從建立到發展壯大的歷程 ,介紹了莫高窟美術工作從臨摹開始到“臨摹、研究、弘揚”六字方針的探索及取得的成就 ,謳歌了幾代敦煌美術工作者在大漠深處甘于寂寞 ,無私奉獻的精神。 By the author’s own life experiences, this article told the whole story of the Fine Art Research Institute of the Dunhuang Academy, starting from the course of its founding to the late growing into an important branch of academic force for Dunhuag Study, and this article introduced to the exploring experiences of the six words working principle for the Dunhuang artists: Reproduction, Scientific Research and Practice, which were followed by the artists since they began working on the site of the Dunhuang Grottoes as copying murals and at the same time introducing the significant results attained in art research.. This article is also singing in praise to the artists of three generations who had consistently attached a high degree of Chinese national tradition of art and had spent life time living at the remote corner of Mogao Grottoes and dedicated their youth and intelligence to Dunhuang. |
| ISSN | 10004106 (P) |
| 研究類別 | 石窟 |
| 研究時代 | 中國-無 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 315 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.03.13 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
