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| 南北朝時期佛教造像傳播格局的轉變=The Changes in Buddhist Sculpture’s Dissemination Route During The Northern And The Southern Dynasties | ||
| 作者 | 費泳 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.84) |
| 出版日期 | 2004.04 |
| 頁次 | 43 - 47 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 南北朝; 格局; 傳播; 佛教造像 |
| 摘要 | 佛教造像在北方絲路古道由西向東的傳播 ,在 5世紀中期出現式微。其后北朝發生的兩次佛教造像風格轉變均源自南朝 ,本文就這一現象引發對同期域外造像傳入格局的考證 ,得出南方海路的興起是導致北朝造像南式化及南北朝時期佛教造像傳播格局轉變的決定因素。 During the middle of the 5th century in China, the prevailing tendency of traditional dissemination route for introducing Buddhist art from its origin sources to China had taken a change. The change had taken place from the way along the Old Silk Road centered in the north part of China to the way transported along the sea way from western into The eastern part of China, this great changes had caused the north route to be declined later leaving no influential effect in Chinese Buddhist art while the south part of China had begun to create great influence over to the Buddhist art during the transition period of Northern and the Southern Dynasties. This article is trying to discussing the historic fact showing by the dissemination way for introducing Buddhist art into China from its origin sources it had changed during the time of the 5th century, and the article draws out a conclusion that by the 5th century, the sea route of the south part of China had started and began to flourished, so this decisive changes had caused a dissemination medium changed too. The communication models for dissemination Buddhist art has transmitted by the south way into the north part of China with which had passed on a strong influence of the southern art style mixed with the established northern style of Buddhist art. |
| ISSN | 10004106 (P) |
| 研究類別 | 討論會紀要 |
| 研究時代 | 南北朝-北朝-北周 |
| 研究地點 | 中國 |
| 點閱次數 | 175 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.03.13 |
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