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本資料由 李玉珉老師 提供
| 從淨土圖至紙花 -- 敦煌藏經洞出土繪畫材料的價值比較=Paradise Paintings to Paper Flower: Comparative values in the pictorial Material from Cave 17, Dunhuang | ||
| 作者 | 龍安娜 ; 魏文捷 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.3 (總號=n.65) |
| 出版日期 | 2000.08 |
| 頁次 | 48 - 51 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 西方淨土圖; 變相; 經變 |
| 摘要 | 大英博物館收藏敦煌藏經洞出土的唐五代時期繪畫和印制的圖畫作品，其材料的選取，反映了作品主人的等級地位：精品畫皆在絲綢上，即絹畫；而紙則大量生產（繪畫或印刷）一些從絹畫上臨摹的廉價復制品。精美的作品是由經濟實力雄厚的團體或個人定做，而廉價的絲綢和紙品則是用來賣給那些過往的香客或普通人的。 The purpose of the Paper is to discuss the broad categories of painted and printed pictorial works of the Tang and Five Dynasties period from Dunhuang Mogao Cave 17 which were made for devotional purpose. These pictorial works are kept in the British Museum, which are made up of approximately 220 items on silk and paper, a substantial group of fragments of painted silk and about 30 prints. The fine paintings consists of paradise paintings, single images with complex arrays of accompanying figures, and banners. The diverse pictorial material reveals the existence of an extensive industry for the manufacture of devotional works at Dunhuang over several centuries. The finest and most elaborate works were clearly commissioned by wealthy grorps or individuals, but there was large - scale production of cheaper works on silk and paper for purchase by passing pilgrims. |
| ISSN | 10004106 (P) |
| 研究類別 | 繪畫 |
| 研究時代 | 中國-無 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 359 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.02.05 |
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