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本資料由 李玉珉老師 提供
| 莫高窟「得眼林」壁畫的藝術成就=Artistic Attainments of Aptanetravana in the Dunhuang Mogao Caves | ||
| 作者 | 鄭勤硯 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.3 (總號=n.69) |
| 出版日期 | 2001.08 |
| 頁次 | 37 - 41 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 五百強盜成佛; 莫高窟; “得眼林”壁畫; 藝術 |
| 摘要 | 本文通過對莫高窟“得眼林”壁畫時代、內容 及西魏、北周壁畫風格的簡析，從兩晉南北朝的繪畫美學思想入手，對“得眼林”壁畫的置 陣布勢、形神刻畫及藝術風格方面作了論述。 Aptanetravana, namely the Forest of the Recovered Eyes ca n be seen in the Dunhuang Mogao Caves no.285 of the Western Wei and no.296 of the Northern Zh ou. The one in cave 296 was painted from right to left with seven scenes starti ng from the soldiers’ action and ending at the conversion of the "bandits" in ch ronological sequence. Between the scenes the painter arranged landscape designs. For the men and horses, only the major motions were drawn. The landscape was hi ghly abstracted patterns. The mural in cave 285 is painted earlier but the arranggement of plots is better than that in cave 296. |
| ISSN | 10004106 (P) |
| 研究類別 | 其他宗教圖像 |
| 研究時代 | 南北朝-北朝-北周 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 153 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.02.05 |
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