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| 敦煌《五台山化現圖》早期底本的圖像及其來源=A Map of Mount Wutai in Dunhuang Mogao Caves and Its Origin | ||
| 作者 | 張惠明 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.4 (總號=n.66) |
| 出版日期 | 2000.11 |
| 頁次 | 1 - 9 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 五臺山圖; 文殊菩薩=Mañjuśrī; 稿本 |
| 摘要 | 莫高窟第61窟《五臺山化現圖》的底本來自中原。本文從莫高窟中唐時期的五臺山化現屏風日內容比較、圖像的來源、中原早期底本的文殊騎獅圖像及其來源傳說等,對該圖早期底本形式、特別是其圖像的來源受粟特藝術的影響這一特點作了論述。 A map of Mount Wutai 五臺山 can be seen in the Dunhuang Mogao Caves no.61 dated in the Five Dynasties. This map is very similar to that which had been found and recorded by Yuanren 圓 仁, a Japanese monk of the Tang Dynasty. Conclusion can be reached that the two were copied from same sample. The similar maps can he seen in the other caves, which belong to the middle Tang Dy- nasty (781-848). Comparing these maps with that of Central Plain, this paper thinks that the early copies for reproduction of the maps are originated from central China. The arts from Sogdian Area of Central Asia gave a strong influence on the maps of Mount Wutai. |
| ISSN | 10004106 (P) |
| 研究類別 | 繪畫 |
| 研究時代 | 唐代 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 288 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.02.05 |
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