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本資料由 李玉珉老師 提供
| 絲綢之路沿線佛傳藝術的發展與演變=Development and Transformation of Art of the Buddha’s Life Stories: Along the Silk Road | ||
| 作者 | 宮治昭 ; 趙莉 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.3 (總號=n.69) |
| 出版日期 | 2001.08 |
| 頁次 | 66 - 70 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 絲綢之路; 佛傳圖 |
| 摘要 | 本文探討了佛傳故事在印度的起源與發展，以 及這一題材由犍陀羅通過絲綢之路傳入中國的過程。佛傳藝術造像也隨之東傳，并逐步被當 地發展演變，尤其在中國，更是進一步得到創新與發展。 In the research, author concentrates on the arts regarding the Buddha’ s life stories, and studies how they were established and developed in India. Th e paper tries to identify how the scenes from the Buddha’s life stories were cho sen and illustrated, while spreading from Gandhara to China along the Silk Road, and, furthermore, how their mode of expression has changed and developed. Final ly, the paper examines how a transformed and renewed iconography of arts regardi ng the Buddha’s life stories was created in China, how it reached Japan, and how it has developed. The author points out that after the T’ang period, the influe nce of Gandhara or India has been fading, on the while, but the art of Buddha’s life stories has developed in its own way in China. |
| ISSN | 10004106 (P) |
| 研究類別 | 佛教-歷史; 佛教圖像 |
| 研究時代 | 南北朝-北朝 |
| 研究地點 | 新彊(拜城克孜爾石窟); 山西(大同雲岡石窟); 甘肅(敦煌莫高窟) |
| 點閱次數 | 512 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.02.05 |
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