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本資料由 李玉珉老師 提供
| 敦煌壁畫中的線描=About The Line-Drawing of Dunhuang Murals | ||
| 作者 | 吳榮鑒 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.83) |
| 出版日期 | 2004.02 |
| 頁次 | 42 - 48 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 以線造型; 曹衣描; 線描十八法; 敦煌壁畫 |
| 摘要 | 本文通過對中國古代繪畫理論的分析。將傳統技法“十八描”與敦煌壁畫中的線描及古代西域繪畫的技法 進行對比。將敦煌壁畫中各時期的線描作了詳細的論述,認為“曹衣描”、“凹凸法”是古希臘雕塑藝術的一種造型方法, 曾運用于古波斯繪畫,然后通過佛教藝術融入中國畫。 Based on the study and analysis of the Chinese traditional art theory of the painting, this article is trying to comparing the Chinese traditional Eighteen craftsmanship of techniques in line-drawing to the techniques applying to Dunhuang Mural’s line-drawings and the Western Regions techniques in painting. At the same time, this article gives a detail narrative of the presentation forms of the line-drawings of Dunhuang Murals in different historic periods and then draw a conclusion that the elaborate line-drawing of Caoyichushui and glyphic drawing technique of Aotufa which had mentioned in Chinese classics of art theory, the glypgic drawing technigue were the ancient Greek techniques applying in the art of sculpture and it was once adopted by Persian in painting, then the peculiar techniques were introduced along with the Buddhist art into China and gradually emerged into Chinese paintings. |
| ISSN | 10004106 (P) |
| 研究類別 | 石窟; 繪畫 |
| 研究時代 | 中國-無 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 73 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.03.12 |
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