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本資料由 李玉珉老師 提供
| 婆藪仙與鹿頭梵志=The Images of Vasistha and Mrgasirsa | ||
| 作者 | 王惠民 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.72) |
| 出版日期 | 2002.04 |
| 頁次 | 64 - 70 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 婆藪仙; 鹿頭梵志; 外道 |
| 摘要 | 北朝至初唐的中國佛教造像 ,一度流行婆藪仙、鹿頭梵志圖像 ,現存的造像碑、金銅像和若干石窟中都可以見到。敦煌壁畫中的婆藪仙、鹿頭梵志圖像是在北魏、西魏、北周、隋、初唐時期 ,共 2 9組 ,本文通過考察 ,將它們分為三個發展階段 ,并考證其經典依據和分析其所體現的佛教教義。 Among the creative Buddhas’ images in Chinese Buddhism, the image of Vasistha and Mrgasirsa were the images once popular from person to person during Northern Dynasties to the Early Tang Period. It is not strange to find the two images in some existent Buddhist steles?sculptures in copper and in several sites of Buddhist Temple Caves. At Mogao Grottoes, from caves dated from Northern Wei?Western Wei?Northern Zhou?Sui and the Early Tang Dynasty, there are 29 portraits of them appeared in a pairs. By a comprehensive investigation, the study of the two images shows there are three phrases of development of the image of Vasistha and Mrgasirsa. This article tries to verify textual basis and approach to a point of what Buddhist religion dogma embodied in the two images. |
| ISSN | 10004106 (P) |
| 研究時代 | 唐代 |
| 研究地點 | 甘肅(敦煌莫高窟) |
| 點閱次數 | 954 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2018.02.07 |
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