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本資料由 李玉珉老師 提供
| Origins of Daoist Iconography | ||
| 作者 | Liu, Yang (著) |
|---|---|
| 出處題名 | Ars Orientalis |
| 卷期 | v.31 |
| 出版日期 | 2001 |
| 頁次 | 31 - 64 |
| 出版者 | Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan |
| 出版地 | Michigan, US [密西根州, 美國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | 道教 |
| 摘要 | It has been commonly thought that the origins of early Daoist imagery in sculpture lay in Buddhist art and that Daoist art became fashionable during the Northern Wei dynasty when confronted by the competition of the foreign faith of Buddhism. By investigating a group of Daoist stelae executed for domestic shrines during the fifth to sixth centuries and by surveying the development of a particular type of divine imagery from the Western Han to the Wei-Jin periods (second century B.C.-fourth century A.D.), this essay argues that the origins of Daoist iconography are deeply rooted in traditional Chinese representations of divinities. The essay also demonstrates that a significant impetus to the evolution of earlier Daoist icons was provided by the specific needs of Daoist religious practices, in addition to social factors and the impact of Buddhist art. |
| 目次 | DAOIST STELAE OF THE NORTHERN DYNASTIES 33 DIVINE IMAGERY FROM THE HAN TO THE WEI-JIN 37 THE TRANSITION TO DAOIST IMAGERY 44 FUNCTIONS OF DAOIST ICONS IN THE NORTHERN WEI 53 Notes 57 |
| ISSN | 05711371 (P) |
| 研究類別 | 其他宗教圖像 |
| 研究時代 | 南北朝-北朝-北魏 |
| 研究地點 | 中國 |
| 點閱次數 | 8 |
| 建檔日期 | 2016.05.12 |
| 更新日期 | 2022.03.23 |
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