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| the Influence of the Ramakien Murals in the Grand Palace of Siam on the Reamker Murals in the Royal Palace of Cambodia | ||
| 作者 | Phalla, San |
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| 出處題名 | Udaya: Journal of Khmer Studies |
| 卷期 | v.8 |
| 出版日期 | 2007 |
| 出版者 | Yosothor |
| 出版者網址 | http://yosothor.org/ |
| 出版地 | Cambodia [柬埔寨] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English; 高棉文=Khmer |
| 摘要 | When the temple of the Emerald Buddha was built in the Royal Palace in Phnom Penh in 1895, the Cambodian version of theRāmāyana, known in Khmer as the Reamker, was selected to be painted on the gallery walls of the temple. Though the Rāmāyanahad been well known in Cambodia since pre-Angkorian times, these Reamker mural paintings were to become the first complete version of the epic tale ever known to have been produced in Cambodia. This situation raises the question of the source(s) used to compose the late 19th-century painted narrative.Reference is often made in art historical work to the influence of the Ramakienmurals in the Siamese Grand Palace on the Reamker murals in the Cambodian Royal Palace, yet no sustained research has ever been carried out on the subject. This article explores this assumption of influence, and attempts to identify sources for the painted work, through a detailed comparative analysis of the Cambodian and Siamese Palace mural paintings, considering storyline, compositional organization, and technique. The socio-cultural context of the creation of both paintings will also be examined in order to identify key factors responsible for the similarities and differences between the Reamker and Ramakien murals. |
| 目次 | siamese influence on the cambodian royal court in the reigns of king ang duong and king norodom 180 construction of the temple of the emerald Buddha in bangkok and the ramakien mural paintings 182 the ubosot 184 the galleries 184 the mural paintings 185 the comstruction of the temple of the emerald Buddha in phnom penh and the reamker mural painting 186 vihear 188 the galleries 188 the mural paintings 189 general compositional organization of the ramakien and reamker mural paintings 190 comparison of the painted episodes of the ramakien mural painting and the reamker mural painting 191 comparison of characters in the ramakien and reamker mural paintings 195 A. humans 195 rama and laksmana 195 ramalaksm(n)/makut and japalaksm(n)/lava 196 sita 197 B. demons 199 ravana 199 bibhek 202 C. monkeys 203 hanuman 203 nilaphata and nila-eka 204 comparison of architecture in the ramakien and reamker mural paintings 205 palaces 205 conclusion 210 references cited 212 abstract 216 resume 217 |
| 點閱次數 | 15 |
| 建檔日期 | 2015.11.19 |
| 更新日期 | 2020.05.08 |
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