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| Trading a Notebook for a Camera: Toward a Theory of Collaborative, Ethnopoetic Filmmaking | ||
| 作者 | McGuire, Mark Patrick |
|---|---|
| 出處題名 | Contemporary Buddhism: An Interdisciplinary Journal |
| 卷期 | v.15 n.1 |
| 出版日期 | 2014.05 |
| 頁次 | 164 - 198 |
| 出版者 | Routledge |
| 出版者網址 | https://www.routledge.com/ |
| 出版地 | Abingdon, UK [阿賓登, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 附註項 | Special Issue: Buddhism and Film Mark Patrick McGuire is a documentary filmmaker and associate professor of Humanities at John Abbott College in Montréal.Address: Department of Humanities, Philosophy and Religion, John Abbott College 21, 275 Lakeshore Road, Sainte-Anne-de-Bellevue, Québec H9X 3L9, Canada. Email: |
| 關鍵詞 | Documentary Film Production & Direction; Motion Pictures -- Production & Direction; Motion Picture Industry; Motion Picture Cameras; Cinematography Equipment |
| 摘要 | In this article I elaborate and reflect upon the representation of contemporary Japanese mountain ascetic practitioners in an immersive, collaboratively produced documentary film. My intent with this self-reflexive methodology has been to clarify how the continuous presence and participation in ascetic training by two North Americans with camera equipment most certainly altered the nature of our interaction with fellow Shugendô participants and guides, shaped the footage we captured, and determined the kind of story we could tell. I attempt here to shed further light upon important decisions, challenges and dilemmas that emerged with reference to key texts, films and discussions that shaped our collaborative filmmaking sensibilities and practices. Readers interested in the practice and representation of Tantric Buddhism, asceticism, Japanese religious and cultural life, and Shugendô may find these reflections of interest and value. |
| 目次 | Introduction 164 Overview of the article 166 I. What is Shugendo? 167 Why do Shugendo? 167 Who knows about Shugendo? 168 II. ‘Inscribing a present’ (Geertz) 169 Reflecting upon the embodied practice of shugyo 170 III. Collaborative construction of the factory forest scene 171 Evoking the complementarity of the Dual Realm Mandala 171 Documentary film as educational supplement 172 ‘Hurricanes of fire’ unleashed upon urban Japan 172 Complicity in the factory forest 173 Representations not immune from catharsis (Behar, Rosaldo) 173 Vicariously vulnerable observer 174 ‘Reconstructing “Aha” moments’ in Buddhist documentary (Burger) 176 Collaborative, participatory filmmaking 177 ‘Un-emphatic moments’ (MacDougall) in a Tantric tradition 179 More than flies on the wall 181 Partisanship and advocacy in filmmaking 182 Sliding toward rebirth 183 IV. Towards an ethnopoetics of ascetic filmmaking 183 Aesthetic and ethical concerns coalesce 184 Ascetic filmmaking 186 Attentive hospitality 186 Revealing traces of our interaction with co-participants 187 Negotiating reinsertion of our presence with Abela 187 Concluding thoughts 188 Acknowledgements 190 Notes 191 References 194 |
| ISSN | 14639947 (P); 14767953 (E) |
| DOI | 10.1080/14639947.2014.890349 |
| 點閱次數 | 112 |
| 建檔日期 | 2015.11.11 |
| 更新日期 | 2017.07.14 |
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