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| Materials and Techniques: Early Buddhist Wall Paintings and Sculptures at Sumda Chun, Ladakh | ||
| 作者 | Gill, Maninder Singh (著) ; Rendo, Carolina Priego (著) ; Menon, Sreekumar (著) |
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| 出處題名 | Studies in Conservation |
| 卷期 | v.59 n.5 |
| 出版日期 | 2014.09 |
| 頁次 | 300 - 313 |
| 出版者 | Taylor & Francis |
| 出版者網址 | http://www.tandf.co.uk/journals |
| 出版地 | Oxfordshire, UK [牛津郡, 英國] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | Painting technique; Technology; Ladakh; Sumda Chun; Early period paintings; Sculptures; Wall paintings; Buddhist |
| 摘要 | An assemblage of Buddhist wall paintings and sculptures dating to the twelfth/early thirteenth century are found distributed over the interiors of the temple complex at Sumda Chun, Ladakh. Detailed investigations carried out as part of a conservation project shed light on their antiquity and production technology. The sculptures are constructed with fine mud mortar applied over a wooden armature and affixed to the walls without any support from the ground. In both the sculptures and wall paintings, the paint layer is applied over a thin gypsum ground that functions as a white colourant where unpainted. For the paint layer, azurite, vermilion, and orpiment are the dominant mineral pigments utilized. Minium (red lead) has been used for preparatory drawings and as paint. Highlighting of special areas was achieved using a laminate of tin–lead alloy and gold on relief. Overall the material and techniques employed in the execution of the wall paintings and sculptures are consistent with those reported for other early sites in the region. |
| 目次 | Keywords 300 Introduction 300 The site 300 Paintings and sculptures 302 Paintings 302 Sculptures - shrine/chapels 304 Painting technology 305 Support 305 Ground and preparatory techniques 306 Application techniques 307 Paint layer materials 308 Conclusions 310 Acknowledgements 311 Appendix 311 References 313 |
| ISSN | 00393630 (P); 20470584 (E) |
| 點閱次數 | 127 |
| 建檔日期 | 2015.06.15 |
| 更新日期 | 2025.02.12 |
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