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| 遍數印痕證虔心 : 日本的巡禮遍路與御朱印文化=The Counting Signets to Proves a Pious Faith: The Pilgrimage and Goshuin Culture in Japan | ||
| 作者 | 邱怡靜 (著)=Chiu, Yi Ching (au.) |
|---|---|
| 出處題名 | 華梵人文學報=Huafan Journal of Humanities |
| 卷期 | n.23 |
| 出版日期 | 2015.01 |
| 頁次 | 147 - 193 |
| 出版者 | 華梵大學文學院 |
| 出版者網址 | http://cola.hfu.edu.tw/epaper/super_pages.php?ID=epaper1 |
| 出版地 | 新北市, 臺灣 [New Taipei City, Taiwan] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 御朱印=Goshuin; 納經=Seal stamps; 四國遍路=Nokyo; 西國巡禮=Prayer book; 朝聖文化=Pilgrimage culture; Saigoku Kannon Pilgrimage; Shikoku Pilgrimage |
| 摘要 | 對世界上任何一個有著虔誠宗教信仰的教徒來說，到聖地朝拜應該是每個教徒一生中都希望能夠進行一次的宗教性活動。不同於基督教或伊斯蘭教等單數聖地形態的朝拜方式，日本佛教與神道教發展出了複數聖地形態，當中最著名的就是四國遍路與西國巡禮。早期的遍路與巡禮者以修行人為主。經過千年的發展，一般庶民開始加入巡禮的行列。到了近代，不僅有他國、他教信徒加入，其中更增添了旅行色彩。因著不同的目的，人們追尋著大師苦修的足跡，沉澱複雜的思緒，反觀自省，以求心靈福至。在巡禮的過程中，最特別的是從納經中發展出的御朱印文化。御朱印的存在，不僅是日本庶民參拜寺社的證明，更可視為庶民能夠珍藏的文字資料，也是能夠觀察巡禮路線的發展與改變的最佳史料。御朱印既不是紀念章，也非藝術品，是與佛菩薩本尊有著同樣神力，能指引巡禮者往生極樂淨土，如同佛典之物。因此，不應將收集御朱印視為時尚，也不應競相炫耀收集數量的多寡。希望透過本文的探討，讓對日本巡禮與御朱印文化尚不了解的社會大眾有一基本認識。也希望人們不要再將御朱印視為是花錢買的紀念證明，以還原御朱印的本來意義。 Every religious believer with devout faith will consider that make a pilgrimage in Holy Land as an important religious activity in his whole life. The pilgrimage of Christianity or Islam belongs to singular from; however, the Buddhism and Shintoism in Japan develop a plural form and the most famous among them are Shikoku Pilgrimage and Saigoku Kannon Pilgrimage. The participants were monks earlier on, then commoners gradually joined them. In modern times, not only foreigners, but also other religious believers participate the pilgrimage and the whole process enriches the feeling of travel. With different purposes, people follow the steps of masters and monks, who did the penance during pilgrimage, calm down the complicated minds, and make a self-examination. People can get good luck and peace in mind through the whole progress. The culture of goshuin (御朱印) which develops from nokyo (納經) is the most special during the process of pilgrimage. The existence of goshuin is not only the evidence of commoners making a formal visit to the temple, but also the precious text collection for them. They are also the best historical materials for investigating the development and changes of pilgrimage route. Goshuin is neither a souvenir or a piece of art. It is considered as the sutra which has extraordinary power the same as Buddha and can guide the pilgrims to the Pure Land. Therefore, it should not be regarded as fashion collection, nor compete to show off. This article tries to draw a basic knowledge for people who do not understand the culture of goshuin and pilgrimage in Japan. I hope that people do not take goshuin as a souvenir again and restore its original meaning. |
| 目次 | 壹、前言 148 貳、日本佛教的巡禮與遍路文化 149 一、巡禮與遍路的起源 150 二、獨特的巡禮與遍路 151 （一）西國巡禮 151 （二）四國遍路 153 參、納經與御朱印帳 157 一、納經文化的形成 157 二、御朱印帳的由來及書寫形式 159 三、江戶時代後期之御朱印帳 162 （一）國立故宮博物院所藏之《納經券》 162 （二）越久田家家藏奉納四國經帳 166 （三）西國巡禮奉納經帳 167 肆、古今御朱印帳之演變 169 一、從御朱印帳看巡禮與遍路的變化 169 （一）四國遍路順序 169 （二）三十三所巡禮順序 174 （三）與時俱進的巡禮遍路觀念與方式 176 二、古今御朱印帳之對比 178 （一）今昔四國御朱印帳 179 （二）今昔三十三所御朱印帳 183 伍、結論 187 |
| ISSN | 18124305 (P) |
| 點閱次數 | 445 |
| 建檔日期 | 2015.06.01 |
| 更新日期 | 2019.08.08 |
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