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| 吐魯番吐峪溝石窟考古新發現：試論五世紀高昌佛教圖象=New Discoveries at Tuyuq Grottoes in Turfan: A Discussion on Gaochang Buddhist Images in the 5th century | ||
| 作者 | 李裕群 |
|---|---|
| 出處題名 | 藝術史中的漢晉與唐宋史之變 |
| 出版日期 | 2014.04 |
| 頁次 | 93 - 126 + 437 |
| 出版者 | 石頭出版社 |
| 出版者網址 | https://zh-tw.facebook.com/RockPub |
| 出版地 | 臺北市, 臺灣 [Taipei shih, Taiwan] |
| 資料類型 | 專題研究論文=Research Paper |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：中國社會科學院考古研究所邊疆考古研究中心 |
| 摘要 | From 2010 to 2011, a protective excavation to Tuyuq Grottoes has been conducted by Institute of Archaeology, CASS and other institutes. New findings include two chaitayas dating to an earlier period, many important remains in front of the caves, as well as a great deal of precious manuscript fragments. The tow chaityas, respectively located at the east and the northwest of the Tuyuq valley, have a geographical importance, and are considered to be largest and earliest caves in the region. A preliminary study reveals that they could be cut in the early 5th century. Tuyuq's early caves could be divided into several clusters each centering around a chaitya and attached with Buddhist quarter caves and meditation caves. A cluster probably equates a temple, following the arrangement taking the tower as its center. The mural motifs int the two chaityas could not be seen in the early Tuyuq caves. Taking into consideration the early cave murals, the Gaochang Buddhist images in the 5th century cover following motifs: 1. Preaching Buddhas with a Buddha and two Bodhisattvas; 2. The assemblage of Seven Buddhas, Buddhas of Three Periods and Thousand Buddha; 3. Maitreya's Ascension and Descent, Thousand Buddhas, and Four Heavenly Kings; 4. Buddhas of the Four Directions; 5. Jataka tales. These motifs are closely related with Buddha-dhyana-samadhisagara-sutra.（《觀佛三昧海經》） The new materials prove that the early cave at Tuyuq have close relations with Kucha Grottoes and early grottoes in Gansu province. The most important is that the Khotan's infulences could also be seen, which fully shows that Gaochang was a place where the Buddhist arts form the West Region and from the Central Plain crisscrossed. |
| 目次 | 一、工作狀況 95 二、主要收穫 96 （一）溝東區北部窟群 1.洞窟形制 2.塑畫內容 （二）溝西區北部窟群 1.洞窟形制 2.塑畫內容 （三）溝東區南部地面佛寺 （四）出土遺物 三、相關問題探討 106 （一）吐峪溝石窟的開創年代 （二）洞窟組合 （三）五世紀高昌佛教圖象的構成 1.K18窟 2.NK2中心柱窟 3.K50（吐編四四窟） 4.K31（吐編四一窟） 5.K30（吐邊四零窟） 四、結語 119 |
| ISBN | 9789866660290 (平) |
| 點閱次數 | 786 |
| 建檔日期 | 2015.06.01 |
| 更新日期 | 2015.06.01 |
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