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| Aśvaghosa's Saundarananda IV–VI: A Study in the Poetic Structure of Buddhist Kāvya | ||
| 作者 | Salomon, R. |
|---|---|
| 出處題名 | Indo-Iranian Journal |
| 卷期 | v.52 n.2-3 |
| 出版日期 | 2009.06-09 |
| 頁次 | 179 - 196 |
| 出版者 | Brill |
| 出版者網址 | http://www.brill.com/ |
| 出版地 | Leiden, the Netherlands [萊登, 荷蘭] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 英文=English |
| 關鍵詞 | SANSKRIT LITERATURE; SAUNDARANANDA; MAHAKAVYA; ASVAGHOSA; KAVYA; BUDDHIST LITERATURE |
| 摘要 | A careful reading of the Buddhist epic Saundarananda shows that the poet Aśvaghosa strategically repeated and manipulated key words, phrases, and images from the love scene in sarga IV in the scene of Sundarī's despair in sarga VI. The earlier images of love and pleasure are transformed into symbols of despair and misery, illustrating the fundamental Buddhist principles of suffering and impermanence. |
| 目次 | Introduction 179 Saundarananda IV and VI: Selected Parallels 181 Some Further Instances of Aévaghosa's Rhetorical Strategies 187 Conclusion: Hie Strategies of a Buddhist kavya 189 |
| ISSN | 00197246 (P); 15728536 (E) |
| 點閱次數 | 699 |
| 建檔日期 | 2015.01.27 |
| 更新日期 | 2019.12.09 |
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