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| 青州風格佛教造像的形成與發展=The Formalistic Buddhist Image in Qingzhou and Its Development | ||
| 作者 | 李靜杰=Li, Jing-jie |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.2 (總號=n.102) |
| 出版日期 | 2007.04 |
| 頁次 | 6 - 13 + 115 + 118 - 120 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者為清華大學美術學院藝術史論系副教授。 |
| 關鍵詞 | 佛教造像; 青州風格 |
| 摘要 | 此稿著重分析了泰安北魏太和十八年金銅佛像在青州風格佛教造像形成過程中的位置和作用。之后,討論了典型青州風格形成時期,廣義青州西部、中部和東部地區的佛教造像,以及青州地區繼續吸收外部因素,和青州風格對外部的影響情況。 This article have laid important emohasis on the number of Buddhist copper sculptures unearthed from Tai’an which is dated form the 10~th year of Taihe(494 A.D.) the Northern Wei Dynasty and made a comprehensive analysis to presentation the omportant of those Buddhist copper sculptures had plated in the process of creation activity of what so called the Qingzhou style in Chinese Buddhist art and its important function in form. And then this article go further on discussing other Buddhist sculoture which were dated the tyoical period of the formalistic Qingzhou style that were found that formalistic Qingzhou style had combined some exotic elements in the Buddhist image while at the same had spread the eastensive infuence of the Qingzhou style over outside of Qingzhou Aresa. |
| 目次 | 一、青州風格佛教造像的前期階段 7 二、青州風格佛教造像的形成 10 三、青州風格佛教造像的發展 12 |
| ISSN | 10004106 (P) |
| 點閱次數 | 497 |
| 建檔日期 | 2014.11.04 |
| 更新日期 | 2018.04.17 |
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