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| 明清神魔小說與俠文化=Chivalrous Culture and Gods-and-Ghosts novels in the Ming and Qing Dynasties | ||
| 作者 | 王猛 ; 劉香環 |
|---|---|
| 出處題名 | 集美大學學報 (哲學社會科學版)=Journal of Jimei University (Philosophy and Social Sciences) |
| 卷期 | n.4 |
| 出版日期 | 2004 |
| 頁次 | 98 - 102 |
| 出版者 | 集美大學 |
| 出版者網址 | http://www.jmu.edu.cn/ |
| 出版地 | 福建, 中國 [Fuchien, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 中國古代文學=ancient Chinese literature; 神魔小說=gods-and-ghosts novels; 俠文化=chivalrous culture; 俠義精神=chivalrous spirit |
| 摘要 | 神仙們斬妖除魔、普救萬民的敘述格局,極似俠客闖蕩江湖、行俠仗義。神靈以法術仗義,俠客以武力行俠,法術與武力產生了文化意義上的共通性。神魔小說多角度展示了俠文化的影響,而作為明清兩大小說流派———神魔、俠義則異構同質、興衰相繼。 The narration pattern of gods killing ghosts, rescuing the people is like that of chivalrous heroes making a living away from their hometown and doing righteous things all over the country. Gods uphold justice with their magic arts, while chivalrous heroes are competent and chivalrous by the force of arms, so magic arts and force of arms have produced the compatibility in the cultural meaning. Gods-and-ghosts novels showed in many angles the influence of chivalrous culture. And as two major novel schools of the Ming and Qing Dynasties, gods-and-ghosts novels and the formal chivalry novels, were homogenous, and rose and declined in succession. |
| 目次 | 一、俠文化在神魔小說中的體現 98 二、俠文化在明清神魔小說中的差異 101 三、神魔小說俠文化存在的歷史與文本原因 101 |
| ISSN | 1008889X (P) |
| 點閱次數 | 132 |
| 建檔日期 | 2014.10.07 |
| 更新日期 | 2020.05.05 |
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