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| 《秦將賦》慘象描寫的歷史文化背景=On the historical and cultural background to description of cruelty scenes in Qinjiang Fu(the Sing to The Qin s Generals) | ||
| 作者 | 嚴宇樂 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.1 (總號=n.119) |
| 出版日期 | 2010.02 |
| 頁次 | 96 - 102 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 秦將賦; 敦煌賦; 慘象描寫; 中晚唐文學 |
| 摘要 | 本文分析了《秦將賦》對殺降的慘象描寫與中晚唐歷史、文化環境的關系,指出該賦與佛教地獄描寫貌似神異,而且不一定指涉敦煌陷蕃的時局,其體貌當與唐代尚武風氣與仁治思想的沖突、禁止殺降的法律、中晚唐戰事加劇等有關。《秦將賦》承襲了不同文體的特征,呈現了不同文學體式的交融。 This article tries to investigating relation between the description of cruelty scenes in The Sing to Qin’s General and a wide range of historical and cultural circumstances of mid-Tang and late-Tang times and pointed out that the description of cruelty scenes in literature are shares assimilate to the hell in Buddhist text and had no necessarily referring to the historical events of Tibetan occupation period in Dunhuang.This article argued that the rhapsody(Fu)’s style was owing to the conflict between militarism and the idea of rule of benevolence in the Tang Dynasty,the law prohibiting killing of surrendering enemy troops and the intensification of war in mid-Tang and late-Tang.The rhapsody(Fu)inherits some features from different genres and its description of tragic scenes reveals a way of genre crossover and integration. |
| ISSN | 10004106 (P) |
| 點閱次數 | 320 |
| 建檔日期 | 2014.10.07 |
| 更新日期 | 2018.05.03 |
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