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| 佛禪與金朝文學的藝術表現=Influence of Buddha and Zen on Artistic Expression of Literature in Jin Dynasty | ||
| 作者 | 劉達科 (著)=Liu, Da-ke (au.) |
|---|---|
| 出處題名 | 太原師範學院學報(社會科學版)=Journal of Taiyuan Normal University(Social Science Edition) |
| 卷期 | v.9 n.2 |
| 出版日期 | 2010.03 |
| 頁次 | 62 - 68 |
| 出版者 | 太原師範學院 |
| 出版者網址 | http://dsyz.chinajournal.net.cn |
| 出版地 | 太原, 中國 [Taiyuan, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 佛教=Buddhism; 禪宗=Zen; 金朝=Jin Dynasty; 文學=literature; 藝術表現=artistic expression |
| 摘要 | 佛禪思想、觀念、情感、意識和思維模式對金朝文學的藝術表現形式和手段的影響及中體現在意境營構、誇誕玄想和求真徵實三個方面。金朝文學對意境營構的追求主要反映在詩歌創作上，以擷取「現量境」、無所執著和追求「境生象外」為基本特點。佛典禪籍誇誕玄想、高度形象化的宣教手法對於半富金朝詩、文、小說、戲曲的藝術表現能力有深刻而顯著的意義。立足於「真空」、「假有」的理論基礎之上並強調以直覺的方式把握真如、實相的佛家「真實」觀對金朝作家主張「親歷」、「親證」和體驗生活，求真徵實的創作理念也有一定的借鑑作用。 Buddhist and Zen's thoughts, concepts, feelings, consciousness and thinking modes exerted an important influence on literary expression form and means in Jin Dynasty that mainly reflected in three aspects: construction of artistic conception, exaggeration and fantasy, and seeking for truth. In Jin Dynasty the literary pursuit for construction of artistic conception was chiefly reflected in poem making characterized by retrieval of "Xian Liang Jing"or partyaksa, nonobsession, and "Jing Sheng Xiang Wai" or seeking artistic conception beyond image. Explaining and publicizing means of exaggeration and fantasy and highly figurativeness of ancient codes and records in Buddhism and Zen had a profound and remarkable significance to poem, prose, story and drama of Jin Dynasty. Buddhist ideal of being true based on the theory of vacancy and false existence but emphasizing on grasping truth had some referential use to the creation ideal by Jin Dynasty writers who advocated personal experience and solid evidence in their creation concept. |
| 目次 | 一、意境營構 62 二、誇誕玄想 65 三、體真徵實 67 |
| ISSN | 16722035 (P) |
| 點閱次數 | 180 |
| 建檔日期 | 2014.10.07 |
| 更新日期 | 2020.02.14 |
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