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| 從《東大寺諷誦文稿》看日本願文的仁孝禮佛說=On the Idea of Worshiping Buddha by Benevolence and Filial Piety in Japanese Sutras from Todaiji Sutras Collection | ||
| 作者 | 王曉平 |
|---|---|
| 出處題名 | 藝術百家=Hundred Schools in Arts |
| 卷期 | n.4 |
| 出版日期 | 2009 |
| 頁次 | 98 - 105 |
| 出版者 | 江蘇省文化藝術研究所 |
| 出版地 | 南京, 中國 [Nanjing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 關鍵詞 | 敦煌愿文=Dunhuang sutras; 東大寺諷誦文稿=Todaiji Sutras Collection; 仁孝奉佛=worshipping Buddha by benevolence and filial piety; 民間佛教文學=folk Buddhist literature |
| 摘要 | 《東大寺諷誦文稿》和《敦煌愿文集》中的大多數愿文,都不是為特定愿主撰寫的"專文專用"的作品,而屬于愿文"范文"。它們都可以納入"民間宗教文學"的范疇來進行比較研究。《東大寺諷誦文稿》多方面受到傳入日本的中國愿文的影響,將禮佛作為報答父母恩情最根本的途徑加以宣揚,仁孝的儒家思想徹底變為佛教的工具,體現了平安時代初期佛教從宮廷貴族走向民間的思想特點。與傳世愿文相比,佛教哲理的成分更為淡薄,而抒情性、敘述性更為突出。這也為后來文人的追善愿文發展成"哀傷的抒情文學"開辟了道路。 Most sutras in Todaiji Sutras Collection and Dunhuang Sutras Collection are not specifically written for specific purpose, but belong to "models" of sutras. They can be included in Folk Religious Literature for comparative study. Many aspects of Todaiji Sutras Collection are influenced by Chinese sutras spread to Japan, which advocate worshiping Buddha as the basic approach to repaying parents’ love. The Confucian ideas of benevolence and filial piety were completely transformed to the tools of Buddhism, which shows the characteristics of Buddhism at the beginning of Heian Period from aristocrats to ordinary people. Compared with sutras, there are fewer elements of Buddhist philosophy, but lyricism and narration are more distinct, which opened ways for sutras of later scholars to develop into "sentimental lyric literature" |
| 目次 | 一、《諷誦文稿》的愿文范文特徵 99 二、《諷誦文稿》的仁孝禮佛說 99 三、《諷誦文稿》與《孝子傳》102 四、《諷誦文稿》與敦煌願文的比較文學研究 103 |
| ISSN | 10039104 (P) |
| 點閱次數 | 311 |
| 建檔日期 | 2014.10.07 |
| 更新日期 | 2020.05.28 |
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