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| 伯孜克里克石窟《金光明最勝王經變圖》中的《懺悔滅罪傳》故事場面研究 -- 兼談艾爾米塔什博物館所藏奧登堡收集品Ty-575號相關殘片的拼接=A Study of ‘The Story of The Penance and Elimination of Sins' in ‘The Sūtra Golden Light' from The Bezeklik Caves: Including A Discussion of The Joining of No.Tu-575 Fragments in The Od | ||
| 作者 | 張惠明 (著)=Zhang, Huiming (au.) |
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| 出處題名 | 故宮博物院院刊=Palace Museum Journal |
| 卷期 | n.3 |
| 出版日期 | 2011 |
| 頁次 | 55 - 70 + 159 |
| 出版者 | 紫禁城出版社 |
| 出版者網址 | http://www.culturefc.cn/index/product.jhtml?act=index |
| 出版地 | 北京, 中國 [Beijing, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：法國高等實踐研究院歷史語言學與文獻學部。 |
| 關鍵詞 | 吐魯番=Turfan; 伯孜克里克石窟=Bezeklik Caves; 金光明經懺悔滅罪傳=the Story of the Penance and Elimination of Sins in The SūtraGolden Light （Jin Guang Ming Jing Chan Hui Mie Zui Zhuan）; 奧登堡考察隊=Oldenburg’s expedition; 艾爾米塔什博物館=Hermitage Museum; 壁畫=fresco |
| 摘要 | 俄羅斯艾爾米塔什博物館收藏的Ty-575號伯孜克裡克石窟《金光明經變圖》繪制年代大約在西元11世紀前期。其構圖的中央部位表現內容已被辨識,而緊鄰構圖中心的右側圖像,作者認為表現的是《金光明經懺悔滅罪傳》故事。本文著重於確認此故事畫面的題材內容,並結合敦煌寫本插圖和四川地區石窟造像中的相似形象,分析比定吐魯番地區《懺悔滅罪傳》同類形象以及圖像表現特點。同時,指出此故事畫面構圖所存在的復原與拼接錯誤。指出,它是目前發現的唯一繪制於11世紀和遠離中國內地地區的表現《懺悔滅罪傳》的壁畫,具有重要價值。 No.Tu-575 in the Hermitage Museum’s collection is the fragments of the wall-painting that is of representation of Sūtra Golden Light (Suvar aprabhāsa sūtra, Jin Guang Ming Jing Bian Tu) which was created in the early 11th century. The central part of the painting has been identified, but the author believes that the scenarios close to the core on the right actually represent The Story of The Penance and Elimination of Sins in The Sūtra Golden Light (Jin Guang Ming Jing Chan Hui Mie Zui Zhuan). In view of his comparing the similar images and figures with those from Dunhuang handwritten books, and from the caves in Sichuan area, he figures out the characteristics of the images of the same kind available in Turpan area, and points out the mistakes in restoration and joining of the fragments and holds the view that the scenes of The Story is by far the only fresco drawn in the 11th century and discovered in the regions far away from the inland areas of China, which is of academic value for further study of the evolution of Buddhist art in the then China and its neighbouring regions. |
| 目次 | 一、關於第一和第六塊殘片的位置 58 二、A、B、C三個部分繪畫構圖的主題及其圖像的解讀 59 |
| ISSN | 04527402 (P); 04527402 (E) |
| 點閱次數 | 544 |
| 建檔日期 | 2013.10.17 |
| 更新日期 | 2019.09.19 |
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