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| A Study of Gary Snyder s Buddhist Thoughts in His Poetic Journey=加里·斯奈德詩歌歷程中的佛學思想研究 | ||
| 作者 | 霍紅宇 |
|---|---|
| 出版日期 | 2009.03.10 |
| 頁次 | 5 - 139 |
| 出版者 | 上海外國語大學=Shanghai International Studies University |
| 出版者網址 | http://www.shisu.edu.cn/ |
| 出版地 | 上海, 中國 [Shanghai, China] |
| 資料類型 | 博碩士論文=Thesis and Dissertation |
| 使用語言 | 英文=English |
| 學位類別 | 博士 |
| 校院名稱 | 上海外國語大學 |
| 系所名稱 | 英語語文文學 |
| 指導教授 | 張定銓 |
| 畢業年度 | 2008 |
| 關鍵詞 | Poetic journey=詩歌歷程; Buddhist enlightenment=佛學啟蒙; Buddhist ecology=佛學生態觀; Buddhist epistemology=佛學認識論 |
| 摘要 | Gary Snyder crisscrossed Asia and America, physically, spiritually as well as culturally throughout his career. In the development of his intercultural poetic journey, Snyder has composed more than 20 books of poetry and prose. The author of this dissertation thinks that among these 20-odd books, there are three landmark works, Riprap and Cold Mountain Poems (1965), Turtle Island (1974) and Mountains and Rivers Without End (1996). After interpreting the major poems in these three books, and combing their in... 當代美國著名詩人，佛學推廣者，普利策詩歌獎得主加里·斯奈德的詩歌歷程西起美國加州山區，東至日本京都禪院，從地理時空和文化維度上跨越了太平洋東西兩岸。在斯奈德創作的二十多本詩集中，筆者認為有三部堪稱“地標”之作，《碎石和寒山詩》(1965)，《龜島》(1974)及《山水無盡》(1996)。經過細讀詩作文本，梳理詩文思想，筆者認為這三部“地標”之作既代表了斯奈德詩歌歷程的“基石”，“界標”和“豐碑”，也清晰勾勒出斯奈德佛學思想的發展軌跡。本文深入探討了斯奈德佛學思想從基石之作《碎石和寒山詩》中的佛學啟蒙，到界標之作《龜島》中的佛學生態觀，再到豐碑之作《山水無盡》中的佛學認識論的發展軌跡。同時，本文還指出斯奈德佛學思想的積極因素對現今東西方社會的生態危機，文化危機等社會問題的文化治愈功能，并指出斯奈德多元文化的詩歌歷程對當今世界東西文化的互補互通有著深遠的示范意義。第一章，“導論”，簡要介紹了斯奈德的生平和作品，回顧了國內外斯奈德研究的概況，并闡明了本文的論點和結構。目前，在國內斯奈德研究資源匱乏，研究氛圍尚未成熟，鮮有類似研究成果的情況下，本文試圖對斯奈德詩歌歷程中佛學思想的發展軌跡進行較為系... |
| 目次 | Acknowledgements Abstract Chapter 1 Introduction 1.1 Overview on Snyder 1.2 Literature Review 1.3 Chapter Preview Chapter 2 Cornerstone: Buddhist Enlightenment in Riprap and Cold Mountain poems 2.1 Snyder’s Buddhist Pilgrimage to Asia 2.1.1 Snyder’s Asia Dream 2.1.2 Buddhism Boom in America 2.1.3 Snyder’s Buddhist Practice in Japan 2.2 Snyder’s Interplay with Han Shan 2.2.1 Snyder’s Similitude with Han Shan 2.2.2 Snyder’s Translation of Cold Mountain Poems 2.3 Snyder’s Buddhist Enlightenment in Riprap Poems 2.3.1 Buddhist Theory of Dependent Origination 2.3.2 Buddhist Concept of Interpenetration in Riprap Poems Chapter 3 Milestone: Buddhist Ecology in Turtle Island 3.1 Snyder’s Repatriation to America 3.2 Snyder’s Perception of Ecological Crisis on “Turtle Island” 3.2.1 Ecological Crisis on “Turtle Island” 3.2.2 Ecological Crisis as Cultural Crisis 3.3 Snyder’s Buddhist Ecological Vision in Turtle Island 3.3.1 Holistic Bioregional Advocacy 3.3.2 Buddha Nature in Indra’s Net of Interrelatedness Chapter 4 Capstone:Buddhist Epistemology in Mountains and Rivers Without End 4.1 Snyder’s Journey in Mountains and Rivers Without End 4.2 Snyder’s Dharma Gate of Non-Duality in Mountains and Rivers Without End 4.2.1 Mountain and Water 4.2.2 Visual Painting and Verbal Poem 4.3 Snyder’s Buddhist Epistemological Vision in Mountains and Rivers Without End 4.3.1 Buddhist Concept of Impermanence 4.3.2 Buddhist Concept of Emptiness Chapter 5 Conclusion Notes Bibliography |
| 點閱次數 | 603 |
| 建檔日期 | 2011.03.07 |
| 更新日期 | 2016.02.19 |
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