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| 葉燮正變觀的形成=The Formation of YE Xie’s "Zheng Bian Viewpoint" | ||
| 作者 | 白春香 (著)=Bai, Chun-xiang (au.) |
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| 出處題名 | 忻州師範學院學報=Journal of Xinzhou Teachers University |
| 卷期 | v.20 n.3 |
| 出版日期 | 2004.06 |
| 頁次 | 14 - 17,22 |
| 出版者 | 忻州師範學院 |
| 出版者網址 | http://www.xztc.edu.cn/newsite/index.asp |
| 出版地 | 山西, 中國 [Shanxi, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 作者單位：北京師範大學 |
| 關鍵詞 | 《詩大序》=Shi Da X u; 溫柔敦厚=gentle and kind; 正變=Zheng Bian |
| 摘要 | 葉燮的正變觀是在繼承以《詩大序》為代表的儒家文藝正變思想的基礎上，同時借鑒了錢謙益、黃宗羲等人的主變思想，並在與汪琬等崇正排變的觀點的論爭中提出來的。葉燮的正變觀表現出主變而崇正的特點。“主變”是主藝術形式之變，強調藝術形式風格發展的獨創性和多樣性；“崇正”是崇尚儒家溫柔敦厚的詩教傳統，要求文學藝術要充分發揮其政教功能。同時它也強調溫柔敦厚不受形式風格的制約，溫柔敦厚為體，形式風格為用，任何藝術形式風格都是為溫柔敦厚的本質服務的，這就充分肯定了多種多樣的藝術風格存在的合理性，在一定程度上補充和完善了儒家一向主和平之音而排怨憤之調的詩教傳統，在理論上發展了儒家溫柔敦厚的詩教思想，具有積極的進步意義和價值。 Advocating change was the characteristics which was expressed in YE Xie's “Zheng Bian View point”. “Zhu Bian” was the change of main artistic style, it stressed the originality and diversity of the development of artistic style. “Chong Zheng” was to advocate the tradition of Confucianists gentle and kind poetry, it required that literature and art play full role of the function of religion politics. Meanwhile, it also stressed that its gentle and kind characteristics should not be restricted by form. But any artistic style served the gentle and kind nature. Thus, the rationality of varied artistic style was affirmed, and it, to a certain extent, replenished and perfected Confucianists' tradition which always maintained the peace and removed the resentment, developed Confucianists's gentle and kind thoughts, and it had active and progressive meaning. |
| 目次 | 一、《詩大序》的正變觀 14 二、明清之際的論爭 15 1.汪琬等對《詩大序》的正變觀的機械傳承 15 2.錢謙益、黃宗曦對溫柔敦厚詩教的新闡釋 15 (1)錢謙益的“救世”說 15 (2)黃宗曦的“激揚以抵和平”論 15 (3)葉燮的溫柔敦厚“體用”論 16 三、“詩變而不失其正”的正變觀 16 |
| ISSN | 16711491 16732596 (P); 16711491 (E) |
| 點閱次數 | 132 |
| 建檔日期 | 2005.03.04 |
| 更新日期 | 2020.03.17 |
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