 |
|
| 甘肅鎮原縣博物館藏北魏青銅造像及有關問題=A Bronze Sculpture of The Northern Wei Dynasty Treasured in The Museum of Zhenyuan County And Some Relative Questions | ||
| 作者 | 吳葒 ; 魏文斌 |
|---|---|
| 出處題名 | 敦煌研究=Dunhuang Research |
| 卷期 | n.3 (總號=n.79) |
| 出版日期 | 2003.06 |
| 頁次 | 16 - 21 |
| 出版者 | 敦煌研究編輯部 |
| 出版者網址 | http://www.dha.ac.cn/ |
| 出版地 | 蘭州, 中國 [Lanzhou, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 出處:中國期刊網-文史哲輯專欄目錄 |
| 關鍵詞 | 鎮原縣; 博物館; 北魏青銅造像 |
| 摘要 | 甘肅鎮原縣博物館藏北魏青銅造像及其釋迦、釋迦多寶、交腳彌勒及千佛等內容,本文對這類造像的時代及源流問題作了分析,指出此造像組合形式流行於十六國北朝時期。這類造像最早出現於炳靈寺第169窟,進而影響到雲岡、隴東地區、河西地區…等。 By a comprehensive introduction to the bronze sculpture of the Northern Wei Dynasty housed in The Museum of Zhenyuan County Gansu Province and its presentation motif of Sakyamuni、Sakyamuni sit together with Prabhūtaratna、cross-legged Maitreya and the composition of the Thousand Buddhas, this article is intend to analysis the date and the source of creation of the composition. A conclusion is drawn by above analysis that the composition as a type of arrangement were prevailed at the 5th-6th century during the Sixteen Kingdom period. The earliest evidence were found in Cave 148 at Bingling Temple-Cave, then the type of arrangement were introduced to the Yonggang Grottoes and other Buddhist Temple-Cave sites along the Hexi Corridor and Longdong Area in Gansu Province |
| ISSN | 10004106 (P) |
| 研究類別 | 雕塑造像 |
| 研究時代 | 南北朝-北朝-北魏 |
| 研究地點 | 甘肅(鎮原) |
| 點閱次數 | 635 |
| 建檔日期 | 2005.03.04 |
| 更新日期 | 2018.03.06 |
建議您使用 Chrome, Firefox, Safari(Mac) 瀏覽器能獲得較好的檢索效果，IE不支援本檢索系統。
