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| 論蘇曼殊在中西文化衝撞中的心靈眩暈=About the Heart Dizziress of Su Man Shu During the Collision Between the East Culture and the West Culture | ||
| 作者 | 楊麗芳 =Yan, Li-fang |
|---|---|
| 出處題名 | 長治學院學報=Journal of Changzhi University |
| 卷期 | v.18 n.2 |
| 出版日期 | 2001.06 |
| 頁次 | 70 - 72 |
| 出版者 | 晉東南師範專科學校 |
| 出版地 | 山西, 中國 [Shanxi, China] |
| 資料類型 | 期刊論文=Journal Article |
| 使用語言 | 中文=Chinese |
| 附註項 | 出處:中國期刊網－文史哲輯專欄目錄 |
| 關鍵詞 | 蘇曼殊=Su man shu; 中西文化衝撞=the collision between the east culture and the west culture; 心靈眩暈=the heart dizziness |
| 摘要 | 蘇曼殊是清末民初一個頗具神秘色彩，亦僧亦俗的文學家與革命家，他特殊的自身條件使他對東西文化都能登堂入室，並且使這顆心靈在中西兩大文明衝撞中的體驗更具直接性、原初性與真實性。現代西方文化在他那裏受到了佛學禪定思想和傳統倫理道德規範的夾擊，使他內心搖擺不定，其心靈的眩暈也反映到了他作品主人公身上，註定他與他的人物只能在孤獨感傷中走完人生之旅。 Su Man shu is a literati and a revolutionist of monks and layman with more mysterious color at the end of Qing Dynasty and the beginning of the republic of China, his special self conditions made him pass through the hall into the inner chamber either the east culture or the west culture, and also make the experience of this heart become directer, more original and truer during the collision between the east culture and the west culture. Because the modern west culture is attacted by his Buddhism ideas and traditional, moral standard,his heart is always vacillating mow the left,now to the right, and his heart dizziness is reflected by the leading characters in his works, it destined that his characters and he can only finish their lives with solitary and saclness. |
| ISSN | 16732014 (P); 16732014 (E) |
| 點閱次數 | 154 |
| 建檔日期 | 2005.02.25 |
| 更新日期 | 2020.03.23 |
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